Our mind plays all kinds of tricks, often dangerously merging the line between reality and imagination. And we poor mortals, dazed and confused and tortured by our own conscience, desperate to restore some comfort and tranquility. But alas! peace cannot be reclaimed that easily.
The story of Professor Saurabh Sharma (Manav Kaul) is one perfect example of such a psychological discord, intensified by his wife gone missing, and he himself being an insomniac doesn’t seem to help either.
Entangled in-between the police officer’s inquisitions and the advancement of a flirtatious student, and also under the influence of the the unending sleeping pills, the professor’s life looks more distorted than ever.
Disturbing? Yes, thank you very much!
Be it the blood-filled bathtub mysteriously clogged by a bundle of human hair or a chopped up human finger under the cabinet, Maroonisa dark and trippy psychological thriller that seems to have it’s roots deeply embedded into our human psyche; stimulated by that part of our unconscious brain that deceives our consciousness, and makes us vulnerable yet so dangerous.
Overall an intelligently made film, based on one single location, entirely interiors. With only a handful of characters writer/director Pulkit have managed to weave an intricate tale of murder, betrayal, love, adultery and insanity!
Superb performance by Manav Kaul, he portrayed the tired and delusional man desperate to find his wife, with enough conviction.
Devyani Cm as the young seductress and Sumeet Vyas the hot-tempered lover-boy are really good but one particular actor needs a special mention, Saurabh Sachdeva playing the character of Inspector. R. Negi was simply brilliant!
The 89th annual Academy Award nominations, the Oscar nominations, the entries for the biggest entertainment award ceremony of the world is just been announced!
And this year we have La La Land leading the pack with 14 nominations, a tie with Titanic (1997) and All About Eve (1950) for most nominations for a single film.
Then again we have some brilliant films like the sci-fi drama Arrivalandthe coming-of-age story Moonlightwith eight nominations.
And then, a unique historical war-film Hacksaw Ridge, a superb drama ‘based on a true story’ Lion, and the sad yet poetic Manchester by the Sea, each entitled for six nominations!
In total 24 categories, and the final award ceremony itself will be on Sunday, February 26.
For now, let the Oscar race begin!
You can watch the announcement on the Oscars’ official YouTube channel, which is also embedded above.
Hello to all you Bengali ‘nak uchu’ snobs who consider Bengali Cinema/Literature/Music as the epitome of art and creativity – well, glad to announce that I am exactly like you!
However this current list is of more recent times, the last two years to be exact (2015 – 2016), a list of the best Bengali films from exceptionally talented directors who are very much the present and the future of Bengali Film Industry!
Best Bengali Films 2015 – 2016 – let the countdown begin!
Sandip Ray have made his latest film on none other than two back to back mystery stories originally written by Satyajit Ray, based on the famous detective character Feluda!
And guess what, Sabyasachi Chakraborty is back in and as Feluda and still rocking! And then of course we have Saheb Bhattacharjee as Topshe and Paran Banerjee as Sidhu Jetha. I only wish that somebody could replace Mr.Lalmohan Ganguly aka Jatayu aka Santosh Dutta as well. I guess some people are just irreplaceable!
Directed by Shibprasad Mukhopadhyay andNandita Roy, probably the best film that explores the intricate emotional values of various human relationships, be it married or unmarried, short time or a life-long companionship!
It seems that the Bengali-audience can never have enough of their favourite detective Mr.Byomkesh Bakshi.
Directed by Anjan Dutt, this thriller revolves around the murder of a judge and this timeJishu Sengupta plays the role of the typical ‘bhodrolok’ sleuth to perfection. And Saswata Chatterjee as Byomkesh’s friend/assistant Ajit and Usashi Chakraborty as Byomkesh’s wife Satyabati.
Based on Sirshendu Mukhopadhyay‘s story and directed by Arindam Sil this is the best detective thriller among the endless Bengali-detective movies that had been churned out in the last year.
The investigator Shabor Dasgupta played perfectly by Saswata Chatterjee slowly connects the dots as he cracks a murder case of a young woman.
Ebar Shabor, by the same director and based on the same detective character is also worth your time.
An emotional heart-touching love story between two people born with genetic defect causing dwarfism.
Directed by Kaushik Ganguly, this slow-pace drama won a National Award in the ‘Best Film on Other Social Issues’ category.
Unique concept, superb direction and brilliant natural performances by Debalina Roy andDulal Sarkar. Mr.Dulal Sarkar was also awarded best-actor at Goa International Film Festival last year.
A biography of a writer in exile, a story about her isolation, her hopes and her helplessness – officially not based on the life of controversial Bangladeshi writer Taslima Nasreen but rather inspired by her life post exile.
Directed and also performed by Churni Ganguly, the film won the National Award for Best Bengali film of 2015 and also was India’s Oscar nomination in the category “Best foreign film” in 2015!
This film beautifully takes on two different tussles – one, as the digital media threatens the single screen movie theatres specially in the small towns and the secondly, the universal clash between a father and his son.
The earliest Zombie movie ever made was White Zombie way back in 1932.
Till then hundreds of horror films have been made on this particular concept – reanimation of a human corpse by witchcraft or other supernatural means who again loves eating other humans, turning them into ‘zombies’ as well!
Though entirely fictional but people seemed to be happy enough to watch these ‘bloody’ Zombie-movies and even get terrified by such a possibility in future!
A Grindhouse movie directed by Robert Rodriguez and this time he is big time into zombies!
An experimental bio-nerve gas accident that turns people into flesh-eating, mutating zombies, and then a group of people join forces to save the town from these terrifying creatures.
With a hint of comedy and enough gore, this is a tribute to the 70s exploitation films.
A post-apocalyptic horror film where Will Smith is the last human survivor left in New York City and perhaps in the whole world; everyone else being transformed into mutant victims of a plague. Can he find a cure to this madness?
A zombie outbreak happens and an ordinary man turns into a hero while fighting a battle of survival!
Based on Kengo Hanazawa’s massively popular manga by the same name, and directed by Shinsuke Sato, this Japanese zombie film doesn’t at all restrict itself from showing all that violence and bloodshed. Fast and gory, decent performances and pretty realistic effects!
This one is the remake of George A. Romero‘s zombie classic by the same name. And it is bloody violent and much more realistic!
Zack Snyder‘s directorial debut, this gory film is set when a worldwide plague is producing aggressive, flesh-eating zombies all over the world and only a few survivors desperate to fight back take refuge in a mega Midwestern shopping mall.
An incurable virus has spread from the apes and now humanity is in the verge of extinction!
Only a few survivors remain and they try their best to survive ‘staying alive is as good as it gets’.
Directed by acclaimed filmmaker Danny Boyle, the film has the look and feel of a sci-fi, and of course one of the most stylish zombie films I have seen in the recent times.
An apartment building where something terribly went wrong. A television reporter and cameraman follow the emergency workers into that dark apartment building trying their best to solve the crisis.
Directed by Jaume Balagueró, Paco Plaza, this thrilling Spanish film is all blood and gore, shot in real locations and also chronologically filmed.
The second part of it [Rec] 2(2009) and the US remake named Quarantine (2008) is also worth your time.
A dystopian future definitely after the zombie apocalypse, an army training base where certain kids are tutored regularly. But these kids are not exactly normal – they are zombies with human brains!
Directed by Colm McCarthy, this unique film is particularly about a zombie kid named Melanie and how she chose her battle of survival tagging along a few humans by her side!
Directed by Sang-ho Yeon, this film is about a group of people travelling on a fast train from Seoul to Busan while they find out that the outside world is getting affected by a virus that turns people into zombies!
A kid and his father, a pregnant lady and her husband, a young couple and many more – all fighting for their lives in this horrific mess.
This South Korean zombie flick tops the list because of it’s super tight story line and brilliantly realistic visuals. Gory and believable!
and (The ‘+1′ film is not necessarily the best but certainly the most crazy one. A must watch)
If a rape victim desires to return to the act itself, then the next time, does she still remain a victim?
My Ratings: 4/5
Quality erotic thrillers are hard to find but then Basic Instinct director Paul Verhoeven often comes to our rescue.
His latest French thriller Elle was nominated for the Palme d’Or at the Cannes Film Festival, and also has already won the Golden Globe Best Motion Picture – Foreign Language and the lead Isabelle Huppert won for the Best Performance by an Actress in a Motion Picture – Drama!
The film starts with a disturbing rape scene that makes the audience uncomfortable enough but then the alarming normality maintained by the ‘victim’ as she continues to perform her daily routine becomes even more disturbing. Why doesn’t she complain about her violation? How can she be so inert about her abuse? Does she know the attacker or will she track him down?
Multiple relations and several interesting plot lines crisscross their paths, and one has to admire the Dutch director’s subtle use of comedy throughout the movie, but then again, the erotic undercurrent is what makes the film so special!
Actually “Elle” means “She” and so the whole film is seen from the perspective of the central character Michèle and Isabelle Huppert simply owns the part. Her beautiful, sexy looks, her cold and courageous character, her raw animal desires and her level of supreme confidence – no doubt she is the spine of this film.
Though according to me the ending of the film doesn’t justify her character at all but then again a performance to cherish for sure.
Based on the novel “Oh…” by Philippe Djian, I think the best compliment for this film would be that it feels very much like a Michael Haneke film, a lighter version may be with a hint of comedy in it!
Milind Dhaimade – an independent filmmaker who believes that everybody is born for some purpose in life and for him it is film making!
His film Tu Hai Mera Sunday is been considered as one of the most entertaining films at the recent Mumbai Film Festival and immensely appreciated as well.
In Conversation with Milind Dhaimade as he talks about his journey as a filmmaker!
Hi Milind, Welcome to Cinema Forensic.
Thank you so much.
Your film ‘Tu Hai Mera Sunday’ was screened in Mumbai Film Festival and got a very positive response. Feels good?
Great actually!
I never thought of Tu Hai Mera Sunday as a festival-film at all. It’s a very ‘happy’ kind of film, if you know what I mean. It’s a Bombay-story and bits of it is from my life. So when we got selected for Film Bazar and for BFI London Film Festival, I was pretty shocked! I mean wow! looks like we have made something that also has an international appeal (smiles).
But for me the real joy is always home you know. You want to know what will people think in India, in Bombay. We did some screenings and we always got positive responses from the audience. And that’s why Mumbai Film Festival was fantastic for me, home ground – the ultimate test and it all went so well!
Superb! So tell me how did it all start, you have an advertising background right?
Yes. See, though I come from a non-filmy background but from my childhood I was very much interested in theatre and films.
But I come from a tough family where people expect you to have real jobs. Then somebody told me about advertising where you can be creative and also have a job, like I can write and make my own stuff. And that’s how I started the journey of advertising and I enjoyed it very much; a great training process of instantly thinking on your feet, thinking of 10 different things at one time and all. But at the back of my mind this filmmaking thing was always there.
So when did you start planning to make a film?
Actually there was no proper plan as such. It was not like ‘ok look, so after ten, twelve years I will make a film’.
While making ad films I met some very good filmmakers and had a great time working with them. Soon we (me and my wife) were way up in the corporate ladder, we could go higher as well but at some point you realise that the higher you go the lesser is the creativity part you know. It’s more of people management and salaries and stuff like that. Then we realised that we are getting away from the things we liked to do, it’s all about sustaining in the corporate goals and all.
At that time in 2005, me and my wife had a chat and decided we should do what we always wanted to do. So we quit our jobs and started planning to make a film. For me it’s like from a very early age you know that you are born for a purpose and you kind of know that you are gonna do it somewhere down the line no matter when. So I was pretty sure about this. The only thing I didn’t know was how?
So by this time you have decided on a particular story?
I started developing a few stories, and then what happened, I had a friend in advertising, Vinay Kanchan and they have a group called Juhu Beach United. So these bunch of guys play at Juhu Beach every Sunday. They come from mixed background and they just love playing football. So it just struck me that what would happen if these guys couldn’t get a place to play on a Sunday – what would they do? That’s how the story started developing.
Finally in 2008 I started writing this, and I took my time. As I said there was no plan or deadline as such. So for one and half years down the line we kind of had the final version. And also over the years I have picked my team, it took time but it’s very important that you choose the right people with whom you want to work.
Then the other thing was shopping the script. Not that we went to too many studios but you also realise that there is a certain film culture here which is little weird, basically it’s not based on scripts but it’s based on casting and actors. But this film is about everyday guys – if you put some high profile stars in it – it simply won’t work. And we were very sure whom we wanted to cast and the casting directors Anmol (Anmol Ahuja) and Abhishek (Abhishek Banerjee) did a great job. Be it Barun Sobti, Shahana Goswami, Pallavi Batra, Avinash Tiwary, Vishal Malhotra, Masnvi Gagroo, Rasika Dugal, Suhas Ahuja, Nakul bhalla, Jay upadhyay and Shiv Subhramaniyum – it was a perfect cast.
So finally we decided to fund it ourselves, put together whatever money we had and the best part is my wife agreed! Surprisingly! (laughs).
And finally in 2015 we started putting it together, by then the script was locked and the casting was done, and the funds ready. Then I spent six months with my music director Amartha Rao, doing the songs and the music. Each song is based on some idea in the film so – we wanted the songs to be really special! And ya, so by May 2016 we were on floor, shooting it.
And so for how many days did the shoot went on?
It was a 38 days schedule – mostly Bombay and a few days in Goa – a week or so. It was amazing because 38 days was 38 days. Nothing went off track and everything was fantastic! My producer Varun Shah had planned it beautifully. Normally whoever comes out of a film shoot comes out with a regret, barring whoever has invested in it but here everybody was happy, everyone enjoyed. All of my crew are actually writing to me saying ‘now make the next film’. We had a great time!
That’s so cool! So after the shoot got over did it take much time in the post?
Yes, we took our time in post as well. It took around six months, I think by 2015 December it was done. We also had some international buyers and distributers interested in our film, so some time went in getting an international cut as well. They wanted a shorter version.
So when is ‘Tu hai mere Sunday’ going to release in the theatres?
See the good thing about this film is it’s not totally a festival film nor entirely a commercial film. It can be very well enjoyed by the audience, intelligent audience. So currently talking to people about the whole distribution and marketing plans – and I am realising a lot of stuff about ‘making-a-film’ Vs ‘selling-a-film’. And that making is actually very easy – like 25% of the whole process. The harder part is of course selling it. But then we have lot of positive responses, but we just have to choose the right kind of partnership. So, it will be releasing soon.
All the best for the release of your film Milind and now tell me something about you, like when did your get interested in filmmaking?
Thank you.
Well, as a kid, when I think back now – I always loved movies. I had a ritual of watching one film a week without my father knowing about it. I would flick money from his wallet and I would go alone and watch films (laughs). Yes, all my childhood I have seen movies alone!
But that time of course I wasn’t thinking of movies as a career or so, it was just my passion. And my favourite thing was to watch these movies and then narrate them to my friends and that too I would put my own masala in those stories while narrating them. I think I loved entertaining people and also the attention!
With my friends I used to do plays in my locality when we were just six, seven years old. During the summer time we didn’t have much to do, so we would write our own crap and perform. Once I remember we saw The 36th Chamber of Shaolin and we made our own play based on that. It was rubbish but that’s how it all started (laughs).
I was supposed to study science and get a decent job, the typical middle-class Maharashtrian path all chalked out for me. But in college I soon realised I was not cut out for science and ended up joining commerce. My dad freaked out and finally decided I should go for CA. I also promised I would study hard. But then I got introduced to theatre and that changed my life.
There was this intercollegiate competition where me along with my friend put up a play and it won all the awards! And after that there was no looking back for me. We started writing, acting and directing our own plays and I thoroughly enjoyed this process. I liked directing more than acting and so I slowly shifted on this side of the camera.
So in college we were obsessed with theatre and films, and now when I look back it’s great, I realise this is what I always wanted to do – making films!
On one hand animation movies are the enjoyment package for a complete family and on the other hand, perhaps there are no other medium in this world that gives an artist such freedom of expression and creativity other than Animation!
With the backdrop of WWII this hand drawn animated film is based on the award winning graphic novel by Raymond Briggs and the story (it is a true story) is based on the lives of Raymond Briggs’s parents. A brilliantly well-made emotional film – a must watch!
In 1974, all six episodes of the original tapes for “Power of the Daleks” were erased from the BBC archive!
But luckily fans at the time recorded the soundtrack directly from the television and so after 50 years BBC America presents the animation version of the series – directed by Christopher Barry and perfectly synced with the original lost-footage audio.
For me, it makes sense in showing all the blood and gore only if a film succeeds in involving it’s audience to that extent where the viewers justify and relate to the on screen extreme violence. Otherwise it’s just a waste of time and fake blood!
So, let’s start with the ultimate list of most Violent and Gory films ever made.
A sophisticated, so called civilised family – a couple with their two young children, take upon them the duty to ‘domesticate’ and ‘civilise’ a tribal wild woman whom they keep captive in their basement.
Directed by Lucky McKee, this film inspite of all the violence and gore, also raises a very important question about the very definition of who are really the ‘civilised’ ones?
Having the backdrop of Adelaide’s northern suburbs, this Australian film explores the story of a family that over a period of time experiences some unimaginably brutal and violent events!
Directed by Justin Kurzel, one of the most sadistic films in the list
And when said to be based on true events, the infamous ‘bodies in the barrels’ murders – the film becomes a notch more horrific!
A young working girl wants to fulfil her dream of owning a home but unfortunately the deal gets cancelled! But does that necessarily mean the end of her dream too?
But it surely does become a nightmare for others!
Directed by Ho-Cheung Pang, this Chinese film has some horrifyingly violent scenes and enough gore to qualify this list.
The story of two friends (girls) on a vacation in a secluded farmhouse, but soon their peaceful weekend-plans takes a horrible turn as a dangerous sadistic intruder tries to break in with the sole intention of brutally killing them!
Directed by Alexandre Aja, this French film is one twisted movie oozing with blood and gore, and also with a great amount of suspense and thrill.
This French film has a very unusual storyline – a pregnant woman who has recently lost her husband is being tormented by another crazy woman who wants her unborn child!
Suspense, thrill, extreme violence and a strange sense of mystery.
A sadomasochistic man in search of his boss finds a lot more than he ever dreamt of. An adaptation of a manga by the same name, this film’s common theme is violence and torture!
Coming from the acclaimed cult director Takashi Miike, this Japanese film have set a bench mark in portraying extreme psychopathic behaviour in an obscenely over-exaggerated manner!
Three young guys, backpackers in Amsterdam looking for some fun – mostly women and drugs. But soon their lives turn upside down as they become the victim of some people’s violent fetish act!
Extreme level of violence, blood and gore and also a blockbuster hit film!
Directed by Eli Roth, this film has achieved a cult status among the horror/violent/slasher film-lovers.
The other two parts may be missing on the surprise element but definitely not the goriness – Hostel: Part II (2007) and Hostel (2011).
In the deep Amazon rainforest some film reels were found by a professor (an anthropologist). These films were shot by a documentary-crew who got disappeared two months ago!
This Italian film (once banned in 50 countries) has been the top of this list for it’s extreme and detailed portrayal of violence.
Right after its premiere in Milan, the director Ruggero Deodato was arrested and charged with obscenity and murdering his actors. Later the charge was dropped when the actors appeared in court, alive and well. The animal deaths in the movie were real though!
and (The ‘+1′ film is not necessarily the best but certainly the most innovative one. A must watch)
This is not exactly about one particular movie but a series of seven controversial Japanese gory horror films from 1980-90s.
The films were so brutal and insanely violent that the director/producer Hideshi Hino was questioned by the police and taken to the court where he eventually had to prove that nobody was actually hurt or murdered while making these films!
Alankrita Shrivastava – a filmmaker drawn to telling women’s stories, inspired by different forms of art, who sometimes uses books and paintings to prepare actors!
Her second film, Lipstick Under My Burkha was selected and well appreciated at this year’s Mumbai Film Festival.
In Conversation with Alankrita Shrivastava as she talks about her journey as a filmmaker!
Hello Alankrita, welcome to Cinema Forensic! Lipstick Under My Burkha got such a positive response at MAMI this year – how do you feel about it?
Thank you. Yes, it is very exciting, very heartening to know that it’s been so well received.
It is a very gratifying feeling for a film maker when people are watching and enjoying their film; also it is very interesting to see the reaction of people, even from other cultures. My film is rooted in a specific Indian cultural context. So it’s exciting for me to see the universality of emotions and characters cutting across cultural barriers!
Yes indeed. Lipstick Under My Burkha – such a unique name and also a very different storyline, so how did you come up with this idea?
I don’t know, I didn’t think about it consciously. There was this thought that just emerged in my head – that I wanted to tell the story of four women who are kind of cloistered, want to do more with their lives and how they go about doing it.
Even though I am brought up in a very liberal and educated background, I still don’t feel fully free and so wanted to explore that feeling. Sometimes I feel like something is holding me back. I thought that it would be interesting for me to explore that in a way where there are also external things holding you back, not just internal things. The whole idea was that how one can sort of break free even while being cloistered.
That’s very interesting, and when you wrote the script of the film how did you start with it – like you have written the script in one go or like …
No, this script is a very long story in itself, because I thought of the title and the essential concept more or less at one go. I wrote it in 2012 and took it the NFDC Screen Writer’s Lab. That was a very helpful experience. But that time I was also trying to write another film which finally didn’t happen.
So, then at the end of 2013 I decided to work on the script again.
And then I got my friend Suhani Kanwar, to help me with additional screenplay, and Gazal Dhaliwal to work on the dialogue. So the script developed over time.
Most good scripts come out like that only huh?
Ya? (smiles). I don’t think any writer intends to be like that but then sometimes it takes long. But I agree because I feel if you let a thought stay for a longer time it just matures in a way, it deepens.
So, after the script is final, then how do you plan the production, like how did you get in touch with the producers, and what about the casting process?
Casting Koko (Konkona Sen Sharma) and Ratna (Ratna Pathak) was relatively easy – I sent the script to them and they liked it.
Mr Jha had come on board as the producer earlier, since I had been working with Prakash Jha Productions for many years. They produced my first film as well.
But for the other two girls and for selecting the rest of the cast I will give full credit to my casting directors Shruti Mahajan and Parag Mehta. They worked really hard. We tested a lot of people and then finalised Plabita (Plabita Borthakur) and Ahana (Aahana Kumra). So I honestly give credit to the casting directors and my assistants for digging out the many gems in my film. They did a fantastic job!
And so after the cast being decided, did the production start write away?
It took a while. We finished shooting in the first half of 2015. I was editing for a while. Then I took the cut to the Work-in-progress Lab at Film Bazar. The lab was very helpful, because we had editors from other parts of the world, and programmers and producers who were part of this panel. They watched the film a few times and gave us feedback and then an editor actually worked with us. My editor Charu Shree (Charu Shree Roy) and I both gained a lot through that process and made some dramatic decisions about the overall edit of the film.
For me what is nice is that I have really grown with the project because it has almost been like film-school like thing. The screen writer’s lab, the edit lab… And even the actor workshops with Atul (Atul Mongia). He is just fantastic. I learned so much as a director working with Atul, about how to work with actors.
It’s really been a process you know and it’s still going on (laughs) – currently we are finalising the distribution deal for the film’s release and again that’s a challenge.
Wish you all the best Alankrita. Now tell me something about yourself – how did you become interested in films, like from the childhood – your journey as a film maker?
No, actually I went to this all-girls boarding school in Deharadun called Welham Girl’s School and there we had this activity class – where the senior girls would make audio-visual films which were screened at the annual day. It was like huge screen and thousands of people watching. I saw that when I was in a junior class and I just wanted to be one of the girls in that AV team. So I joined the Audio Visual class. I guess that was the beginning for me. I felt the power of telling the story through this medium. Also I always used to read books since I was very young, then my father always told me stories – so this storytelling process was always in my mind. (smiles).
I did my BA honors in journalism from Lady Shriram College and did lots of media internships during that time.
And then I did my masters in Mass Communications from Jamia Milia Islamia. After that I was very clear that I wanted to do films. I started working with Mr.Prakash Jha as a trainee assistant, then one thing led to another. I assisted on Gangaajal and then I was chief assistant on Apaharan, I was associate director on Rajneeti and in between I was executive producer on Sudhir’s film Khoya Khoya Chand and also another film called Dil Dosti Etc. In-between I made my short film (Open Doors with Tisca Chopra), and after Raajneeti I directed my first feature Turning 30!!!
And finally some films that influenced you, made an impact on you as a filmmaker?
I’m not that influence by films in terms of my thought process but I am much more influenced by books, especially female feminist writers like Virginia Woolf, Jane Austen, Toni Morrison and most recently by Elena Ferrante.
I am not sure I love watching films as much as I love reading books. I love making films though!
Thats really interesting because most of the filmmakers say that films have been their major inspiration but for you it has been books!
Because you know, what I feel is that, honestly if you are expressing yourself in a certain medium, that doesn’t mean that all your influences have to come from that same medium. I think film is after all a coming together of different art forms!
So while directing Turning 30!!! the references I gave to my actors were paintings, and excerpts from novels which I felt represented their characters in the film!