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In Conversation with Sridhar Rangayan – the National Award winning director of Gulabi Aaina.

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In Conversation with Sridhar Rangayan – the National Award winning director of films like Gulabi Aaina and Breaking Free!

interviewed by Souranath Banerjee

Hi Sridhar Sir, Welcome to Cinema Forensic.

Thank you so much!

You made the path-breaking cinema ‘Gulabi Aaina’ back in 2003 and sadly enough it was banned in India for all these years. Finally in 2017 it’s getting released on Netflix! Tell me all about the journey of this film!

Ya Gulabi Aaina was my first film. We made it in 2002, because there was hardly anything in terms of LGBT cinema apart from may be few films like, Riyad Wadia’s Bomgay (1996).

Back then, we pitched this concept about ‘two gay people in love’ to several channels but they kept rejecting it because of the content. For them it was not appropriate for the family audience. And so, finally we only decided to make Gulabi Aaina, it was a self-funded project.

We shot on a shoestring budget, and we got help from many friends of ours who believed in the project. Also before this, I did a lot of In Conversation with Sridhar Rangayantelevision, so I kind of had a goodwill too. But that time we did not have any aspirations like who will be the target audience or how are we going to promote this film, festivals or release or this and that. All we wanted was to make the film!

Getting somebody for the character of ‘Samir’, who plays this bisexual guy in the film, was a little difficult because no body wanted to play that role. Getting the drag queens were relatively easy because I knew them, I mean they were real life drag queens whom I asked to act in my film.

And then the Indian Censor Board said it was vulgar and offensive, but the fact is there’s absolutely nothing vulgar in Gulabi Aaina!

Actually the problem was that they were just not used to seeing men dressed like women and yet being so comfortable; not at all apologetic of who they are! The film also questions patriarchy; like in In Conversation with Sridhar Rangayangeneral it is the men who prey upon women but here the drag queens are preying upon a man who is reduced to a mere sexual object. I guess that really made them uncomfortable.

So we applied for the censor certificate three times before finally giving up (laughs).

So what was your next step, what did you do?

How long can you stay with one film, you need to move on. So we moved on to make my our next film Yours Emotionally!, which was actually sexual in content; Gulabi Aaina was a saintly film compared to this one (laughs).

Yours Emotionally! is actually about lust and how it develops into love, you know. And also the film questions ‘what is identity in India?’ All these identity boxes – gay, bisexual, transgender – they all come from the west. Earlier people just lived their lives here without being categorised and identified by such terms.

Anyways, so this film, we didn’t even submit to the censor board (laughs). It got screened outside India and distributed in the DVD market – that was a very big thing for us!

Though I have tried a lot of different genres in television, i mean In Conversation with Sridhar Rangayanthrillers, comedies, hetero-normative stories and all. But then I felt that making LGBT films – it’s a niche that I want to occupy, and it gives me the most satisfaction. It didn’t give me money though (laughs).

But ya, coming back to Gulabi Aaina, it even went on to become a part of a university’s curriculum on ‘gender and studies’. And now it got released on Netflix! Great!

That’s really great! Tell me something about your latest documentary “Breaking Free” which recently won a National Award for editing, right? How did it all begun?

Yes!

The thing is that my earlier two films Gulabi Aaina and Yours Emotionally! were both self funded films but then how long can you fund your own films? It doesn’t work that way. It is very challenging in India to make LGBT-themed films. So my third film 68 Pages got the funding from the Humsafar Trust and Solaris Pictures. We had a In Conversation with Sridhar Rangayangreat cast Mouli Ganguly, Jayati Bhatia and Joy Sengupta. But we didn’t manage to get a release because it dealt with HIV/AIDS.

And then I had a long gap from 2008 to 2014. I did not feel like making a movie at all.

At that point to time I started documenting LGBT events and lives, doing documentaries, as they are comparatively far cheaper than doing narrative films. And being a gay man myself, I had easy access to our community and of course, everyone felt that these stories are needed to be told. So from 2008 onwards I started documenting the community like interviewing them, talking to them. I had 300 tapes of my recordings that said different stories of people!

All that first led me to do Purple Skies, a Public Service Broadcasting Trust funded project which told all kinds of powerful stories from our community, some angry stories talking about violence and injustice, while other stories were happy and romantic. The film went on to several festivals and was shown on Doordarshan too!

Then at the same time Supreme Court said that the Delhi High court verdict on Section 377 is not valid, and it was a very difficult time for our community. Being an activist for the last twenty years, I personally felt that with one stroke all our hard work has been demolished and it was back to being ‘you are illegal’. The documentary Breaking Free talks about the effects of Section 377 on the community. It traces right from the first case till the latest and shows how the law had been misused. How many LGBT persons are being blackmailed, how the police are twisting the law in order to abuse and harass the innocent people.

But like all my films, Breaking Free also has happy stories of young people coming out, being romantic and everything. Being part of the In Conversation with Sridhar Rangayancommunity, it is an insider saying the story, and the film was also a great personal journey for me. It got premiered in 2015 at the KASHISH Mumbai International Queer Film Festival and went on to screen at several international film festivals. It was a great surprise and joy when it got selected for in the Indian Panorama section! And then it went on to win the National Award for Best Editing, which was like a crowning glory!

It was an honor to receive the National Award in Delhi; my family had come there when I received it from the President, it was a moment of my life!

While Breaking Free has won accolades and acclaim, not a penny has come through the film till date, but we need to see about its release and distribution as well.

A great honour indeed, congratulations to you Sir!

Thank you so much!

And finally when did you decide that you wanted to be a filmmaker? Were you interested in cinema from your childhood?

Well, I used to watch a lot of movies in my childhood. Though I am from South India, my mom and I used to watch Hindi films.

In 1980’s, we had only two options in India, either you become a doctor or an engineer. So after getting done with my engineering, I In Conversation with Sridhar Rangayandid my Masters in Visual Communication from IIT Mumbai. From there onwards I was interested in making films.

Then I did a lot of television – Rishtey, Gubbarey, Kagaar, Krishna Arjun, Pyaar Ki Kashti Mein and all, before finally deciding to make films.

For me the whole idea of using Cinema is to pass on social messages in an entertaining format, that really is what intrigued me. Every scene that I write till now is to get an emotion or a reaction back from the audience!

Overall an interesting journey till now, I have always taken roads which I didn’t know where it will lead me to. Even when I came out as a gay man it was a complicated decision, it was in 1990 when very few people used to come out.

If ‘Gulabi Aaina’ was made now, what do you think, i mean could it get released?

Gulabi Aaina being a 40 min short film it maybe challenging; you see, very few documentaries or short films in India gets actually released in theatres. Distribution system neither supports short films nor the movies that are away from the mainstream. If Gulabi Aaina was made now and sent to the Indian Censor Board, I know it would have got an ‘A’ certificate.  But with ‘A’ certificate, you can barely get theatres for release.

So I personally think Netflix is a much better option for this film as people can watch it how and when they want to watch it.

Our latest film, Evening Shadows on which I am currently working will be a theatrical release though (smiles).

All the images are exclusively provided only for the use of this article. 

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