Sully (2016)

Sully review

written by Souranath Banerjee

A film that restores faith in humanity as well as in good cinema!

My Ratings: 4.2/5

‘Everything is unprecedented until it happens for the first time.’

“Miracle on the Hudson” (as the press labeled it) happened on January 15, 2009 when Captain Chesley Sullenberger (nicknamed Sully) managed to unbelievably land an Airbus A320 right in the middle of the sully-imageHudson river without a single casualty!

Saving 155 lives, Captain Sully instantly became a hero in the eyes of the public and the press, but still there was something that bothered the National Transportation Safety Board (NTSB – an independent U.S. government investigative agency.)

According to the NTSB, due to the failure of both the engines after hitting a flock of birds at an approximate altitude of 2,800 feet, the airplane had to be landed for sure but why did Captain Sully chose the freezing Hudson river to land and didn’t opt to make it back to the nearest airports – LaGuardia or Teterboro?

Now if the NTSB can prove that it’s a pilot-error, Sully’s career and reputation will be ruined forever!

A superbly constructed biography that made actor Tom Hanks and director Clint Eastwood join hands for the first time in the history of sully-poster1cinema!

A class act by Tom hanks as expected, even Aaron Eckhart as the co-pilot was just perfect.

But the best part of the film is its non-linear narrative; such clever form of story telling by the director Clint Eastwood and the editor Blu Murray.

The little details of the passengers, the fear and panic in their eyes, the confident decisions of the pilots, the thankful acknowledgement of the public, the NTSB inquiry and their simulators – the film engages you throughout it’s entire 96 minutes.

Based on the autobiography, “Highest Duty” that was co-written by Chesley Sullenberger and Jeffrey Zaslow, undoubtedly one of the most intelligently crafted cinema you will watch this year!

P.S. – An unsolved mystery: Clint Eastwood is currently 86 years old (born in 1930) but then how come his films are yet so fresh and young and innovative?

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