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18th JIO MAMI – The Events and The Star-struck Moments!

18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016 – the Star-struck Moments!

written by Souranath Banerjee

To engage and communicate with the film buffs of our country Jio MAMI Mumbai Film Festival for the last few years has been amitabh-and-jaya-bachchanincluding multiple interactive sessions and events that make the overall experience of the film festival all the more interesting!

So here are some of the best events of this year!

MOVIE MELA:

Jio MAMI Movie Mela with Star ended on a high note with three panel discussions and up close and personal chats with some of the most celebrated names in the Indian film industry.

Panel One: VR discussion with Gabo Arora, Raja Koduri, Anand karan-johar-and-aishwarya-rai-bachchanGandhi and moderator Shakun Batra pondered upon current usage of virtual reality.

Panel Two: In conversation with Directors – Rohit Shetty, Zoya Akhtar, Vishal Bhardwaj, Gauri Shinde and Shoojit Sircar, moderated by film critic Rajeev Masand and Jio MAMI with Star, Festival Director Anupama Chopra.

Panel Three: Actor Shahid Kapoor in conversation with Rajeev Masand and Anupama Chopra about his journey in the industry so far.

PLAY SECTION ON WEB SERIES

Jio MAMI 18th Mumbai Film Festival with Star had an exciting day at PLAY, the youngest section which celebrates the digital narrative through the best of web series of India.

Panel one: The Writers Panel saw some interesting insights on how the web series content is driven to the young audience and how 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016writers want to connect to the youth of India because television as a medium has nothing for them. This panel had Sumeet Vyas (TVF- Permanent Rommates & Tripling), Nidhi Bisht (TVF), Sattvik Mishra (ScoopWhoop), Varun Grover (Writer), Preetika Chawla (Actor-Producer), Naveen Richard (Writer-Actor) in conversation with Shreevasta Nevatia.

Panel two: The Business Panel had some industry experts talking about the business of web series and how profitable the model is? This panel included Sameer Saxena (TVF Originals), Anand Tiwari (Actor-Writer), Rohan Sippy (Producer), Ashish Patil (Y-Films), Samir Nair (Balaji Telefilms) and Swara Bhaskar (Actor) in 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016conversation with curator Nikhil Taneja.

The Best of PLAY saw the team of TVF Permanent Roommates, TVF Tripling, Y-Films Sex chat with Pappu and Pappa, Not Fit by Dice Media and many more.

PLAY also world premiered some of the web series which included Little things (Pocket Aces), NRI (OML), Qisson ka Kona (OML), Ramsay Reloaded (101 India), Sneh (ScoopWhoop) and Yes Kaneez (OML).

SPECIAL SCREENING FOR THE UNDER PRIVILEGED YOUTH OF THE COUNTRY

Jio MAMI 18th Mumbai Film Festival with Star, in association with Youth for Unity and Voluntary Action (YUVA), presented a special anupama-chopra-and-kiran-raoscreening for the under privileged youth of the country. Le Reve (Globus), Bandra hosted the screening of ‘Shree Devi Phataka’, directed by Navin Chapade on October 23rd, 2016 for youth from the deprived areas of Mankhurd, Ambujwadi, Jogeshwari, Wadala, Chembur and few other parts of Maharashtra.

WOMEN IN FILM

Day Five at the Jio MAMI 18th Mumbai Film Festival with Star saw some great sessions for film as well as television audiences.

Starting from the Oxfam and Jio MAMI with Star Women in Film Brunch at JW Marriot saw some powerful like MAMI Chairperson, Kiran Rao, Oxfam head, Nisha Agarwal, Konkana SenSharma, Richa Chaddha, Poonam Dhillon, Ekta Kapoor, Leena Yadav, Deborah oxfam-women-in-film-pannelYoung, Maanvi Gagroo, Nidhi Singh and more.

Oxfam discussed Women and Films with Oxfam Head, Nisha Agarwal, Christine Vachon, Leena Yadav, Rucha Pathak, Tala Hadid, Vibha Bakshi, Tillotama Shome and moderator Rahul Bose. The discussion covered topics like the portrayal of women in Indian cinema and how it affects the way we portray their roles in our society.

And then there were some very interesting events to follow:

18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016Television Vertical screened the world premiere of ‘P.O.W.’ The panel included Primetime Emmy Winner Cary Fukunaga, Gideon Raff, Gaurav Banerjee and Nikkhil Advani in conversation with Nikhil Taneja about the changes in the way TV series have evolved over the years.

Mani Kaul’s tour de force, Ahamaq, was on the big screen for the ahamaq-reunion-posterfirst time. Uncut and in its pure form Ahamaq a nostalgic celebration. Present for the screening were cast including Mita Vashisht, Ashish Rajadhyaksha, D Wood, Vikram Joglekar and others.

Remembering Bimal Roy was a special tribute to someone who has a 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016big contribution to our entire cinema heritage. Joy Bimal Roy, Jaya Bachchan, Apurva Asrani, Nasreen Munni Kabir, Namrata Joshi in conversation with Rauf Ahmed.

Events and Films, 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016 a heaven for all you Cinema-Lovers. Enjoy!

Photo courtesy: mumbaifilmfest.com

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Best Indian Films to watch at the 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016 (10+1list)

Best Indian Films to watch at the 18th JIO MAMI MUMBAI FILM FESTIVAL with STAR 2016

written by Souranath Banerjee

And finally that moment is here, that very event for which we all Cinema-Lovers have been impatiently waiting for – the 18th JIO MAMI MUMBAI FILM FESTIVAL 2016 starts from 20th Oct!

And so, it’s time to check out some of the best Indian films (Fiction) that demands your attention while you get busy with the festival!

  1. A Death in the Gunj

Film trailer: https://www.youtube.com/watch?v=XliKkuxa_nA

a-death-in-the-gunj-posterA unique coming of age film based on a young boy who has some conflicted ideas of masculinity.

Featured in the Section: Opening Film, the film cast includes Gulshan DevaiahKalki KoechlinVikrant MasseyOm PuriTillotama ShomeRanvir ShoreyTanuja among others.

The opening film at the festival and also actor Konkona Sen Sharma’s directorial debut.

2. Lipstick Under My Burkha

Film trailer: https://www.youtube.com/watch?v=EpHqeHF8NM0

lipstick-under-my-burkha-posterDirected by Alankrita Shrivastava, the film featured in the Section: India Gold chronicles the secret lives of four small-town women who wants to break-free from their regular lives, and rebel in search of freedom.

The film features a very interesting starcast – Konkona Sen SharmaRatna PathakVaibbhav TatwawdiSushant SinghShashank Arora among others. 

3. Idiot (TV Mini-Series)

Ahamaq (original title)

Featured in the Section: The New Medium this film was originally a idiot-postertelevision series based on Dostoevsky’s famous novel by the same name.

Featuring Shah Rukh KhanMita VasishtAyub Khan-Din among others and directed by the acclaimed Mani Kaul in the year 1991, this earlier unreleased movie is definitely one of the prime attraction in the festival.

4. Tu Hai Mera Sunday

Film trailer: https://www.youtube.com/watch?v=wJxbALLv6ug

tu-hai-mera-sunday-posterDirected by Milind Dhaimade, this is the story of five friends who struggle to find a place to play football in Mumbai.

Featured in the Section: India Gold, this movie is not only about missing the every-Sunday football game ritual at the Juhu Beach, but it’s also about growing up, about friendship and about finding one’s own space, and then of course happiness!

 5. Bioscope

Film trailer: https://www.youtube.com/watch?v=Nlw58ZW-ViI

Mitraa directed by Ravi Jadhav, Bail by Girish Mohite, Ek Hota Kau by bioscope-posterViju Mane and Dili e Nadaan by Gajendra Ahire – four talented directors and their four short films!

Featured in the Section: Marathi Talkies, this is a highly anticipated anthology film in the festival that is definitely worth your time!

6. Kalpana (1948) 

kalpana-posterThe genius dancer Uday Shankar directed and acted in this classic film which is currently featured under the Section: The New Medium at the festival. 

A unique form of story telling, a real “dance film” – rare and brilliant, such accurate compositions and use of various dance forms makes this film visually breathtaking and highly unconventional as well.

7. Autohead

Film trailer: https://www.youtube.com/watch?v=UOLzzdTWBKs

autohead-posterSection: India Gold, directed by Rohit Mittal, this one is a feature length mockumentary in which a documentary crew follows a notorious auto rickshaw driver called Narayan in the suburbs of Mumbai. 

The movie overall has a voyeuristic quality since the film-crew directly becomes the part of this weird, sexually frustrated and often mentally deranged life of the auto driver. Dangerous and realistic at the same time!

8. Maroon

Film trailer: https://www.youtube.com/watch?v=X9g81zbVHA0

maroon-posterThe story is of an insomniac university professor in Dehradun, who betrayed by his loving wife has been marooned into loneliness; where he suffers psychologically and becomes delusional.

A thriller that is being featured under the Section: The India Story, directed by Pulkit – and casting  Manav KaulDevyaniSaurabh SachdevaSumeet Vyas among others.

9. Pinky Beauty Parlour

Film trailer: https://www.youtube.com/watch?v=9KTFUg3YwBs

Directed by Akshay Singh, this film makes a statement on the Indian obsession of fair skin!pinky-beauty-parlour-poster The story revolves around a certain beauty parlour in Banaras run by two sisters Pinky and Bulbul.

But the film takes a different turn when a body is being found and soon two police men come to investigate. Featuring under Section: The India Story, this film is surely something to look out for in this festival.

10. Donkey in a Brahmin Village (1977)

Agraharathil Kazhuthai (original title)

Featured in the Section: The New Medium, this brilliant piece of cinema is a satire told in an uniquely innovative and surreal agraharathil-kazhuthai-posternarrative style!

Directed by the renowned filmmaker John Abraham, the movie is basically on brahminical bigotry and superstitions.

On the brink of being banned and the film was highly ignored for a long time inspite of receiving a national award!

and (The ‘+1′ film is not necessarily the best but certainly the most interesting one. A must watch)

+1. Anatomy of Violence (2016)

anatomy-of-violence-posterThough categorised as a Canadian entry, this film is based on an Indian issue, the language is Hindi and it’s also made by an acclaimed director from Indian origin, none other than Deepa Mehta!

The film revolves around the brutal gang rape of a 23-year-old girl by six men inside a moving bus in New Delhi, December 2012. A fictionalised take on the incident and the consequences of such a gruesome crime on our society.

A few docu-fictions that also looks enticing and entertaining India in a DayThe Cinema TravellersBurqa Boxers and An Insignificant Man

Poster courtesy: www.imdb.com and mumbaifilmfestival.com.

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Bhuvan Shome – the beginning of the Indian New Wave/Art house Cinema

Bhuvan Shome – the beginning of the Indian New Wave/Art house Cinema.

written by Souranath Banerjee

In history we have witnessed many revolutions; be it the political revolts of common men against some tyrant, or simply a revolution of ideas (scientific, social, economical or cultural) that seemed to challenge and unshackle the primeval customs and convictions of the society.

Cinema being the most significant collective art-form that plays a pivotal role in developing and mirroring the different cultures has also been revolutionized many a times and always for good.

Mrinal-Sen-with-Satyajit-Ray-posterItalian Neorealism, the French New Wave, the Japanese New Wave – and then, finally it was India’s turn to surf the waves of experimentation. 

Renowned directors (the neo-realists as they were called) like Satyajit Ray, Mrinal SenRitwik GhatakKhwaja Ahmad AbbasTapan SinhaChetan AnandBimal RoyGuru DuttV. Shantaram, later joined by Shyam BenegalAdoor GopalakrishnanG. AravindanBuddhadeb Dasgupta, and Girish Kasaravalli, inspired by the foreign film movements made films that were unorthodox in both style and execution.

mrinal-sen-posterThe already popular ‘parallel cinema’ became more radical and avant-garde.

And thus in the late 60s, Indian Cinema was revolutionized once again and it was the birth of the ‘new wave of Indian Cinema’, popularly known as the ‘art house’ cinema.

It is said that Mrinal Sen‘s epic film Bhuvan Shome (1969) along with Mani Kaul‘s Uski Roti and Basu Chatterjee‘s Sara Akash were the very first creations of the Indian New Wave.

bhuvan-shome-poster1Based on a Bengali story written by Banaphool (Balai Chand Mukhopadhya), Bhuvan Shome was Mrinal Sen’s first film in Hindi language.

It had the first appearance of Suhasini Mulay as an actor, ace cinematographer K.K. Mahajan‘s first feature, first music composition for a film by Vijay Raghava Rao and also the first ever voiceover given by none other than Amitabh Bachchan (he wasn’t even introduced as an actor at the time).

That year the film bagged three National Awards Best Feature FilmBest Director and also the Best Actor (Utpal Dutt).

But more importantly, Mrinal Sen introduced a new kind of film-language that was innovative and amusing to both the audience and the critics of Indian Cinema.

bhuvan-shome-poster3The basic story line of Bhuvan Shome is surprisingly uncomplicated.

The lead character named Bhuvan Shome (brilliantly played by Utpal Dutt) is a high-posted railway official, a widower (probably in his late 40s) and also an authoritarianwho steps out of his mundane office routine with the intention of playing the hunter.

But after being touched by the beauty of nature and then an encounter with a sweet and mysterious village girl Gauri (Suhasini Mulay), Mr. Bhuvan Shome’s perspective of judgement changes and he finally learns to relax and enjoy life. 

bhuvan-shome-poster4Though the interpretation of the film is often made from a highly cynical overview – that Bhuvan Shome’s character was actually manipulated by the not-so-innocent villager girl Gauri whose (only) real motive was to save her husband’s job. But again that’s debatable.

In an interview director Mrinal Sen interestingly pointed out: Our intention was never to tame a tough bureaucrat. On the contrary, our intention was to “corrupt” a bureaucrat suffering from Victorian morality.

Probably it was Mrinal Sen’s first attempt to satirize the Indian bureaucracy and indeed a successful one.

Shot mostly in the deserts of Gujarat (such locations were also rarely used that time) the film cleverly exploits the city-to-village contrast scenario – the bullock carts and the muddy roads, the hospitable simple-minded villagers and the picturesque flock of flamingos!

Superbly innovative editing by Raju NaikGangadhar Naskar and Dinkar Shetye.

Right from the first shot of the railway tracks (from the point-of-view of the fast moving train perfectly synced with classical alap) to the creative documentary format of narration and then the extensive use of still frames, use of live footages and also the innovative utilization of animation – Bhuvan Shome was the most stylized and inventive film of that time.

bhuvan-shome-poster2A film so deliberately diverging from the general norms and trends of filmmaking and yet such a visual treat for the cinema lovers. An exceptional artistic triumph!

Bhuvan Shome was Mrinal Sen’s most successful film and also one of the first feature that trumpets the beginning of a new era in Indian Cinema – the rise of Indian New Wave/Art house cinema.

Photo Courtesy: www.mrinalsen.orgPhoto (Sen & Ray) Clicked By: Nemai Ghosh.

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