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Most Influential Films Banned in India (10+1list)

Most Influential Films Banned in India.

written by Souranath Banerjee

In India it is not always enough to make good Cinema; the more challenging part for the directors and producers is to make sure that their movie gets released on big screen!

This year only, the producers of Udta Punjab (a film based on drug udta-punjab-posterabuse in Punjab) had the most highlighted and controversial court fight with the Central Board of Film Certification (CBFC) headed by Pahlaj Nihalani. Finally Anurag Kashyap (representing the Phantom productions) did win the legal battle and the film was cleared with only a single cut. 

But movies being banned is nothing new in India. Due to reasons that may be political or social, it can be for abusive language, use of narcotics or due to explicit sexual content, numerous films have been delayed and some unfortunately have never seen the light of a movie theatre yet!

Here is a list of some of the most influential films Banned in India. Do watch them to know the importance of these films and the real reasons for them being out of reach of their audience.

10. Sikkim (1971)

Film trailer: https://www.youtube.com/watch?v=VmSeVvA61xU

Sikkim-PosterDirected by legendary Satyajit Ray, this is a documentary on Sikkim commissioned by the then King of Sikkim Chogyal.

The brilliantly made film is about the sovereignty of Sikkim. But in 1975 when Sikkim became a part of India the documentary was banned by the Indian Government. 

Recently, in 2010 the ban was lifted and the classic is now available for all you film lovers!

9. Fire (1996)

Film trailer: https://www.youtube.com/watch?v=SnshN0wqiCo

fire-poster1Directed by Deepa Mehta, this is one powerful Indian film that tells the story of two wives from a middle class family who being frustrated by their loneliness and dissatisfied sex-life ignites a lesbian relationship among themselves.

Bold and thought provoking – though globally appreciated and well received but was predictably banned in India right after its release!

8. Kama Sutra: A Tale of Love (1996)

Film trailer: https://www.youtube.com/watch?v=MqztmYen6co

kama-sutra-poster1With numerous candid sexual scenes throughout the film, although artistic and sensual in a very royal-Indian way, this film of course couldn’t manage to pass the morality test of the Indian Censor board.

Directed by Mira Nair, a brilliant piece of storytelling which was too offensive for the audience of a country from where the whole concept of ‘Kama Sutra’ was actually originated. What an Irony! 

7. Parzania (2005)

Film trailer: https://www.youtube.com/watch?v=LHWPWsOmoWA

parzania-posterA brilliant film that dares to portray the horrific and painful genocide that took place in the Indian state of Gujarat in 2002, commonly known as the Gujarat riots!

It was banned in Gujarat because of it’s sensitive subject even though director Rahul Dholakia and lead-actress Sarika won the National award for the film!

Great performances by Naseeruddin Shah and Corin Nemec as well.

Another film on the same subject that was banned too was Nandita Das‘s Firaaq (2008)

6. Black Friday (2004)

Film scene: https://www.youtube.com/watch?v=NR1mkPQI9z0

black-friday-posterThe 1993 serial Bombay bomb blasts that shook the entire nation and then, it’s aftermath – a film that managed to portray it all and that too in a brilliant graphic manner.

This Anurag Kashyap film was too dark and realistic to release at the time specially since the trail decisions of the many arrested were pending.

5. Bandit Queen (1994)

Film trailer: https://www.youtube.com/watch?v=66uIVFb6ATA

bandit-queen-posterAbusive language, nudity, sexually offensive content – the biopic on the media-hyped woman-bandit Phoolan Devi was banned by the Indian Censor board due to all those reasons!

But then again the film directed by Shekhar Kapur, is one of the most courageous and dramatic Indian biopic that I have seen till date!

Seema Biswas won the National Award for her stellar performance as Phoolan Devi while Shekhar Kapur won the Filmfare Best director award!

4. Garm Hava (1974)

Film trailer: https://www.youtube.com/watch?v=ZJqPQjADWGE

garm-hawa-posterScorching Winds, the film that depicts a Muslim family struggling to find their identity as our country was reeling through the repercussions of the partition.

Directed by M.S. Sathyu, and brilliant performance by Balraj Sahni, but the film was banned since the subject matter was considered to be too sensitive for the time. Finally, after 8 months it got released, and yes – the film was also nominated for the Palme d’Or at the prestigious Cannes Film festival!

3. Aandhi (1975)

Film song: https://www.youtube.com/watch?v=8-HnmVg0-O8

aandhi-posterDirected by Gulzar, this one was banned during the time of it’s release due to the fact that the lead character played by Suchitra Sen seemed to have similarities with the then Indian Prime Minister Indira Gandhi.

Later in 1977 the movie finally got it’s theatrical release; the film won the best critic award and Sanjeev Kumar won the best actor at the Filmfare Awards!

2. Amu (2005)

Film trailer: https://www.youtube.com/watch?v=jqGGM8xl3Qw

amu-posterA film based on the 1984 anti-Sikh riots, a brilliant story woven around the genocide that once shook our country.

Directed by Shonali Bose and superb performance by Konkona Sen Sharma, the film got banned of course because of it’s sensitive subject matter but it did get a release with an adult rating  and some specific audio-cuts. The film won a National Award that year!

  1.  Water (2005)

Film trailer: https://www.youtube.com/watch?v=_7uM-CbzIAI

water-posterAnother one from the highly acclaimed director Deepa Mehta, a stunning portrayal of the widows in India who are forced into a life of extreme sacrifice and poverty. 

The film was not only restricted from the release by protesters who felt it was too controversial a topic for the Indian audience, even the sets of the film were attacked by fanatics while the film was being shot!

and (The ‘+1 film is not necessarily the best but certainly the most innovative one. A must watch)

+1. Gulabi Aaina (2003)

Film trailer: https://www.youtube.com/watch?v=GEWPwrAjgpY

gulabi-aaina-posterThe Pink Mirror – a 40min short directed by Sridhar Rangayan which explores homosexuality in India. Through this unique film the concept of trans-sexuality was addressed probably for the first time in our country.

Needless to say a bold film on gender issues has to be banned by the Censor Board even when it was screened in more than 70 film festivals and been appreciated by the critics all across the globe!

Poster courtesy: sikkimnow.blogspot.inwww.imdb.com.

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18th JIO MAMI Opening Ceremony 2016 – the glamour and the glitz!

18th JIO MAMI Opening Ceremony 2016 – the glamour and the glitz!

written by Souranath Banerjee

JIO MAMI 18th Mumbai Film Festival 2016, it’s happening right now, right here and it’s a heaven for film lovers!

And this time MAMI had one of the most grand Opening Ceremony ever!

The Venue:

Mumbai, October 20, 2016: Jio MAMI Mumbai Film Festival with Star kicked off its 18th edition with a grand ceremony at the iconic Royal Opera House as world-renowned filmmakers, talent and 18th JIO MAMI Opening Festival 2016Bollywood stars walked the red carpet to celebrate the city’s very own film festival.

The Royal Opera House is the last standing Baroque building in Mumbai. The royal family of Gondal – the owners of the venue – have worked towards ensuring the complete restoration of this centre under the watchful eye of conservation architect Abha Narain Lambah. The iconic structure has a long standing association with art, literature, theatre, music, and has hosted operas and live performances of many celebrated artists.

The stars:

Bollywood came in full support at the 18th JIO MAMI Opening Festival 2016 Red Carpet which was attended by Amitabh 18th JIO MAMI Opening Festival 2016Bachchan and Jaya Bachchan, Aamir Khan, Poonam Dhillon, Ayan Mukerji, Vinod Chopra, Genelia Dsouza, Shabana Azmi , Zoya Akhtar, Kalki Koechlin, Shobha De,  Rajeev Samant,  Reema Kagti, Ashutosh and Sunita Gowariker, Huma Quershi, Rahul Bose, Harshvardhan Kapoor,  Kunal Kapoor, Nandita Das, R Balki, Abhishek Kapoor, Mini Mathur, Imran Khan, Diya Mirza, Richa Chaddha,  Abhay Deol, Vicky Kaushal and many more.

Jacqueline Fernandez hosted the event. Also present were Festival Director Anupama Chopra, Co-Chairperson Kiran Rao and other 18th JIO MAMI Opening Festival 2016Board of Directors including Anurag Kashyap, Rohan Sippy, Riteish Deshmukh, Siddharth Roy Kapur and Vikramaditya Motwane.

Star quotes:

Mrs. Nita Mukesh Ambani, Festival Co-Chair said, “We are all privileged to be here at the resurrected Royal Opera House in its new avatar, a quintessential Mumbai Icon that has been lovingly brought to life for all of us. We really could not have asked for a more befitting venue to open this festival. In the true tradition of the Mumbai, Jio MAMI continues to delight us and surprise us.  Each year they are raising the bar higher and higher for themselves. The festival has put together a truly 18th JIO MAMI Opening Festival 2016incredible program and a stellar line-up of films this year. Today is my proud privilege to announce and introduce a new category of award- ‘The Jio MAMI Award for Excellence in Digital Narrative Content’. Through this award we want to discover and celebrate, the talent and potential of our youth. This award will be presented from next year onward. We hope this award will encourage young talent to reimagine their creative promise and take Indian cinema to newer and greater 18th JIO MAMI Opening Festival 2016heights, especially in the digital space. Jio MAMI is of Mumbai, by Mumbai and of Mumbai.”

Uday Shankar, CEO, Star India said, “Mumbai Film Festival stands out as a more celebratory event than a ceremonial one. It celebrates great stories and serves as a podium for young talent. In our third year of association with MAMI, our endeavour is to make world-class cinema an accessible and organic experience to the people of Mumbai – a city with deep roots in cinema and its 18th JIO MAMI Opening Festival 2016history.”

Festival Director, Anupama Chopra said, “The 18th Edition of the festival will celebrates stories and cinema traditions from around the world. We hope that people enjoy this film feast.”

Creative Director, Smriti Kiran said, “Dazzled by the elegance and grandeur of the Opening Ceremony of the festival at the Royal Opera House. At one point I think I was not even breathing. Over 18th JIO MAMI Opening Festival 2016500 film lovers ringing in the festival for 2016. It was a dream come true.”

The Award for ‘Excellence in Cinema-India’ was presented to Director and screenwriter Sai Paranjpye by Mrs. Jaya Bachchan. Paranjpye has won numerous awards, both National and International for her writing and films. She was conferred with the prestigious Padma Bhushan in 2006 and has served on numerous juries and has been the Chairperson of the Children’s Film Society of India.

On receiving the Award for Excellence in Cinema-India, Filmmaker and Screenwriter Sai Paranjpye said, “It is wonderful to see the program being made here, encouraging new directors and women directors. I really feel privileged to receive this award from Mrs. Jaya Bachchan 18th JIO MAMI Opening Festival 2016in the magnificent Royal Opera House.”

The Award for ‘Excellence in Cinema- International’ was presented to Chinese Filmmaker, Jia Zhangke known for his cinematic representation of his country’s post-Mao and post-globalization cultural history. His recent films A Touch of Sin, 2013; Mountains May Depart, 2015), has offered a unique perspective on a transitional generation whose commonplace lives evoke universal resonance. The award to Jia Zhangke was presented by Actor Aamir Khan.

On receiving the Award for Excellence in Cinema- International, Chinese Filmmaker Jia Zhangke said, “It is the first time I am coming to Mumbai and India and really thankful to MAMI film festival and the film fraternity.  No matter if its China or India, we have really good 18th JIO MAMI Opening Festival 2016audience and we should continue to produce good movies for them.”

Also present at the Opening Ceremony were the esteemed jurors of India Gold section – Head of Jury Reha Erdem, Mychael Danna, Stephanie Zacharek, Yonfan and Tomasz Wasilewski. Head of International Competition Jury, Miguel Gomes was present along with other jurors Tala Hadid, Chris Mcdonald, Anurag Kashyap and Christine Vachon.

The special guests of the evening were nine delegates from Bhutan who were especially flown down to Mumbai to experience this 18th JIO MAMI Opening Festival 2016festival. The Hon’ble Secretary of Ministry of Information and Communications – Mr. Dasho Karma W Penjor, Librarian, Department of Information and Media – Mr. Thinley Dorji, Assistant Information and Media, Department of Information and Media- Mr. Phub Wangdi, and other members from the Bhutan Film Association were present to grace the evening.

Four-time National Award winner, Shankar Mahadevan gave a mesmerising performance at the opening ceremony!

Photo courtesy: mumbaifilmfest.com

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Rituparno Ghosh – the most courageous director of our time

Rituparno Ghosh – the most courageous director of our time.

written by Souranath Banerjee.

12 National awards and many international ones tagged to his name; Rituparno Ghosh is one of India’s most proclaimed director of all times.

unishe-april-posterHe was also a writer, actor, lyricist and a brilliant television talk-show host!

His second film Unishe April won the National Award in the year 1995 and announced the arrival of a Bengali director who has bestowed himself with the responsibility of continuing the tradition of making classy Bengali films which are both intellectual and entertaining at the same time.

Not an easy task since his predecessors were globally influential stalwarts; the likes of Satyajit Ray, Mrinal Sen and Ritwik Ghatak.   

last-lear-posterNow, if one cares to analyze the time when Rituparno Ghosh started his career (in the early 90s), evidently it was the time when Bengali Cinema was going through a tough phase.

Throughout the 80s there was this trend of commercializing Bengali films which apparently meant a desperate attempt to ape the popular Bollywood culture of elaborate songs and action sequences. And thus happened this major shift in the trend of Bengali Cinema – from the earlier artistic films to the so-called ‘commercially entertaining’ ones.

In the year 1991 Satyajit Ray won the National award for his last feature film Agantuk. By that time, apart from a handful of film-makers like Goutam GhoseAparna Sen and Buddhadev Dasgupta, the Bengali film industry was flooded with mediocre directors and their mass-pleasing movies.

badiwali-posterBengali industry was in need for someone to create a balance between the traditional arty films and the commercial ones and Rituparno Ghosh was THE director who had the courage and the capability to fill-up this vacuum!

The success of Unishe April was followed by superb films like DahanBariwaliUtsabChokher BaliRaincoatDosarAbohomaanShob Charitro KalponikNoukadubiChitrangada and many more.

More than two decades of Rituparno’s magical cinemas.

Dosar-posterIn the early phase of Rituparno’s film-making career his films mostly portrayed the middle-class Bengali families, their desires and despairs. This was probably his most successful phase as he skillfully intersected the typical average Bengali household and delicately revealed it’s secrets to us.

He worked with many talented Tollywood actors like Prasenjit ChatterjeeDebashree RoyRaima SenTota Roy ChowdhuryKonkona Sen SharmaAparna SenIndrani HaldarDipankar DeyMithun ChakrabortyChiranjitRupa GangulyMamata ShankarJishu Sengupta and others.

Raincoat-PosterThen came the phase when he would make films not only in Bengali but also in English and Hindi and his star-cast would be mostly actors and actress from Bollywood. He has worked with Aishwarya Rai BachchanSharmila TagoreNandita DasJackie ShroffAbhishek BachchanSoha Ali KhanAmitabh BachchanAjay DevgnAnnu KapoorKiron KherPreity ZintaArjun RampalDivya DuttaManisha KoiralaBipasha Basu and others.

And in the last phase of his career he mostly made films on stories that dealt with sexuality. These bold films were probably more personal to him since Rituparno himself was openly homosexual and in the last years of his life he also explored a transgender lifestyle. 

chitrangada-posterHe once said “It is for me to decide whether I will stand in the queue for men or for women or neither of the two.”

Towards the end of his career Rituparno Ghosh also acted in a few films like Aarekti Premer GolpoMemories in March and Chitrangada.

A great admirer of Rabindranath Tagore, a researcher of the epic book Mahabharata and an ardent fan of Satyajit Ray – Rituparno Ghosh, a person who loved cinema and was loved by all.

One of those rare directors whose films received the peak of both critical and commercial acclaim.

As film-maker Goutam Ghose remembered him after Rituparno’s death on 30 May 2013 – 

dahan-poster“His films, with their sensitive portrayal of human relationships, anguish, trauma and love in a fast-changing, post-liberalization India charmed audiences. His brilliant story-telling reflected contemporary society like never before. While his death creates a tremendous void that can never be filled, Rituparno’s work blazed a trail that has paved the way for an entire generation of filmmakers who have dared to be different. It was Rituparno who gave them the courage.”

A salute to the most courageous film-maker of our time.

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