Tag Archives: parched

Mukti Bhawan (2016)

Mukti Bhawan Review

written by Souranath Banerjee

A movie that probes into the psychology of death, but then also, it’s so full of life!

My Ratings: 4.2/5

Nowadays most of the Hindi films released can deftly be categorised to the limit of some particular genre, and easily conjecturable to a Mukti-Bhawan-poster3certain theme or message or even the complete lack of it!

But then once in a while a few unique films emerge (fortunately) which dare to defy such generalisations, and restrict themselves from spoon-feeding the audience with ponderous morals in-between ceaseless cheesy histrionics.

Yes, Mukti Bhawan is one such film that cannot be bound into one specific keynote, it has to be experienced on the whole, much like an opera, or like life and death!

When 77-year-old retired school-teacher Dayashanker Sharma (Lalit Behl) senses his life’s extremity (the hint being a curious recurring dream), it becomes obligatory for his son Rajiv (Adil Hussain) to comply (though grudgingly) with his old man’s somewhat odd request – an immediate visit to the holy city of Varanasi.

Varanasi, the essential and well utilised backdrop of the film, ordained by the sacred Ganges the ancient Indian city that Mukti-Bhawan-poster4epitomises spiritualism and divinity. And aged Dayashanker believes that death in this holy city can be his ticket to eternal salvation – an escape from the inevitable cycle of life and death!   

And thus, to the surprise of the rest of the family that includes Daya’s daughter-in-law Lata (Geetanjali Kulkarni) and Daya’s grand-daughter Sunita (Palomi Ghosh), Daya and Rajiv, the father-son duo leaves for Varanasi. They finally check in at an aptly named hotel called Mukti Bhawan or Hotel Salvation; where numerous people from all across India come and wait for their death, a tradition to achieve Moksha!

Director Shubhashish Bhutiani, who has also written the script along with Asad Hussain, has ingeniously explored the intricacy of human emotions on the face of death in his film. The script, the situations, the Mukti-Bhawan-posterdialogues, the relations are simply subtle yet so profound!  

UNESCO jury has already awarded the XXIIIrd prix “Enrico Fulchignoni” to the young debutant director and at the Venice Film Festival, the world premier of Mukti Bhawan, the film was cherished by the audience with a stupendous standing ovation after the screening!

Then again, the film is specially blessed with actors who are of such supreme control of their skills.

 Adil Hussain, just within a decade have become one of the finest actors of our country, made his presence felt in acclaimed movies like English VinglishLife of PiParchedSunrise; but in this particular film his performance excels like never before. No wonder he won a Special Mention from the National Award Jury this year!

And of course, the veteran TV and theatre actor Lalit Behl, this being his second film (after Titli) has played his pivotal part with such immense Mukti-Bhawan-poster2commitment, so brilliantly natural and believable!

And then, renowned actress Geetanjali Kulkarni, young and effortless Palomi GhoshNavnindra Behl as the sweet and smiling widow and Anil K. Rastogi as the weird manager of the hotel – all have given their best and are very much responsible for the success of the film!

Mukti Bhawan may be a statement on life and death or it may simply be a very precise discectomy of human relations; I hope you will decide yourself once you watch it.

Mark my words, this is a Cinema that shouldn’t be missed! 

Poster courtesy: facebook.com/muktibhawan

Parched (2015)

Parched review

written by Souranath Banerjee

Self-empowerment of rural women  – Parched instantly reminded me of Ketan Mehta’s Mirch Masala!  

My Ratings: 4/5.

Seldom issue based films (especially in Bollywood) suffer from striking a balance between telling a story that is both entertaining as well as didactic.

And that is exactly where Leena Yadav‘s remarkable film Parched comes out as a winner!

parched-posterDealing with four rural female characters in the lead – Rani (Tannishtha Chatterjee), Lajjo (Radhika Apte), Bijli (Surveen Chawla) and Janaki (Lehar Khan) and then of course their struggle in a male-dominating society being the core of the film, Parched has done an incredible job in charming the audience, mostly through it’s unapologetic dialogues (thanks to Supratik Sen) that ranges from being real, straightforward to vulgar!   

The film through each of its feminine-character’s remarkable journeys efficiently tackles so many women-oriented social issues like domestic violence, sexual harassment, education, child marriage, dowry, status of the widows, choice of asserting her sexual preferences, fertility prejudices, prostitution, even the importance of rural small-scale businesses and then of course the independence of women on the whole!

parched-poster2

Such powerful acting by everyone in the film but electrifying Radhika Apte surely leads the pack.

Tannishtha Chatterjee also plays a very mature part, probably the most difficult one in the film. Even Surveen Chawla as the prostitute/dancer makes her mark. Riddhi Sen as the young egoistic male, and then Adil Hussain and Sumeet Vyas – all did justice to their roles.

Through the lenses of ace cinematographer Russell Carpenter and the appropriate melodious music by Hitesh Sonik, Parched has definitely managed to tell a fascinating story, most importantly parched-poster1something very different and genuine.

The backdrop being Rajasthan, and essentially dealing with strong women characters, Parched instantly reminded me of Ketan Mehta‘s epic film Mirch Masala (1987).

But i guess the real success of a film like Parched will be when the women of rural India can get to watch it and enjoy as much as the urban multiplex audience did!

Totally worth your time and money.

Poster courtesy: www.impawards.comwww.imdb.com.