Oscar Nominations 2018 Best Picture – what’s your call?

Oscar Nominations 2018 Best Picture – what’s your call?

written by Souranath Banerjee

Oscar Nominations 2018 Best Picture: Hosted by Jimmy Kimmel (for the second time), on this March 4th evening we have a date with our beloved movies from 2017 – the nominations for the Oscars – The 90th Academy Awards ceremony traditionally presented by the Academy of Motion Picture Arts and Sciences (AMPAS).

After last year’s La La Land hiccup and Moonlight‘s sudden triumph speculating this year’s Best Picture has certainly become more difficult a task but have to admit the fun remains the same, even more!

In total nine nominations for Best Picture and I have listed them according to my order of liking, in a way keeping my favourite one in the number 1 spot. You all do your own homework, predict, guess and wonder, and let’s see who can hit the bull’s eye!

9. Darkest Hour

A historical biography directed by Joe Wright which in total has six Oscar nominations this year!

The film revolves around the early days of World War II when Churchill was appointed the British Prime Minister and showed immense character that changed history forever.

Gary Oldman is undoubtedly an actor par excellence and his performance as Winston Churchill is awe-inspiring (every chance of winning the Male Leading Role). But I am real doubtful about the movie winning big this year.

8. Dunkirk

Directed by Christopher Nolan and brilliant music by Hans Zimmer (will probably win the for his Original Score).

Another film about World War II portraying the tensed war-front drama when soldiers from Belgium, the British Empire and France were at the mercy of the German Army.

In total eight nominations, though there are no acting or writing nominations and I think the movie won’t run till the end round of this year’s Oscar race.

7. The Post

The epic battle between the press and the government, a dangerous mission taken up by female newspaper publisher and a hard-driving editor to unmask a massive coverup.

Meryl Streep and Tom Hanks together, that too directed by Steven Spielberg – this movie seems to be the perfect Oscar recipe but yet for me this is not really the Best Picture of last year.

6. Lady Bird

A delightful coming of age story of an artistically inclined seventeen-year-old girl and her chemistry between her friends and relatives – especially the love-hate relationship with her mother.

Directed by Greta Gerwig and brilliantly performed by Saoirse Ronan this is one film I absolutely enjoyed watching but still am not so sure about its Oscar win.

5. Phantom Thread

Paul Thomas Anderson collaborates with none other than Daniel Day-Lewis (supposed to be his last movie as an actor).

Superbly artistic, a visual treat that portrays the early world of fashion through the romance between a renowned dressmaker and his muse – a beautiful and determined young girl.

But then again the movie winning the Oscar – a bit doubtful scenario.

4. Get Out

An African-American guy meets his white girlfriend’s parents for the weekend but things are not exactly what it seems to be. There lies some dark dangerous secrets that changes his life forever.

Now a low budget horror thriller gets nominated in the Best picture category – well, that’s a first!

Jordan Peele‘s direction and Daniel Kaluuya acting are spot on; though honestly to me the film apparently doesn’t look like a tough competition as an Oscar contender but you never know, unpredictability is the name of the game!

3. Call Me by Your Name

A summertime gay romance between a 17-year-old boy and a twenty-something man who has visited Italy as the young boy’s father’s research assistant.

(Click for Review)

A beautifully shot film directed by Luca Guadagnino and superb performances by Armie Hammer and Timothée Chalamet. Though not nominated in the direction, cinematography or editing categories it is a tough aim for the big spot but then if the movie snatches the Oscar I would  say it totally deserved it.

2. The Shape of Water

An incredible love-story between a mute lady-janitor and an amphibious creature that being held captive at a top secret research facility.

With 13 nominations, directed by acclaimed filmmaker Guillermo del Toro and a superb performance by Sally Hawkins this visually stunning movie probably has the highest bets for the award. My favourite too. Fingers crossed!

1. Three Billboards Outside Ebbing, Missouri

Three billboards asking for justice – a mother’s unique way of challenging the authorities who failed to capture her daughter’s murder.

Directed by Martin McDonagh and a powerhouse of brilliant acting from Frances McDormand, Woody Harrelson and Sam Rockwell (sure will get awards for Female Leading Role or/and Supporting Male Role).

With total seven nominations, brilliantly written and shot with great precision – this is my most favourite film of last year and I hope this film gets its due i.e the Oscar of course!

Similar Interest: Best of 2017 you may have missed!

Similar Interest: Best of World Cinema 2017

Poster courtesy: www.imdb.com

Judi Dench – the greatest Bond woman of all time!

Judi Dench – the greatest Bond woman of all time!

written by Anu Gopinath

The life of an assassin, going for his kill in the name of his Queen and his country, is riddled with the insecurities and fears of a man nearing the end of the tunnel and finding himself obsolete in the new Judi-Denchworld of drones and gadgets.

The one that kept James Bond sane (other than his Walther PPK of course) was the sturdy hands of a woman who went toe to toe with Bond – to unleash him to the world and then sheath him in the confines of Booze, women and the cold walls of MI6 at her whim, when found surplus for her needs and plans.

Long gone were the days of Connerys and Moores and the bond series was left stagnant for a significant period of time begging for resurrection when, MGM in all its wisdom chose to relaunch the series with Pierce Brosnan and later with Daniel Craig in the lead. The choice like any other came with its own controversies but the Judi-Denchwisdom of its choice left the world in their gasps, when in came to the land of men guns and bullets, a woman, as the head of MI6 who will ever hold the crown of being the “the only woman who ever bought the secret agent to his knees”. DAME Judie Dench.

So the board was set. The hunt was afoot. Short in stature but abundant in talent, Judie Dench curved a niche for herself in the hearts of the fans and critics alike when she hunted down the enemies of state with the eye and cold heart of a hunter who killed for her Country and savoured the last moments of her prey with such nonchalance that will put even Dr.Hannibal Lecter to shame.

In a movie series where women character had practically nothing to speak of other than being the eye candy (with only Eva Green in 2006 Casino Royale being an exception), Judi Dench rode in with such authoritarian aura that she traded punch for punch, wit for wit, barb for barb with her adversaries as well as her top assassin to come out on top and each and every single time she found herself and her organisation on the ropes. And innumerable times she outshone her colleagues with such wit and charm that Brosnan and Craig humbly stepped back for her to take the centre stage.

Such was her acting prowess that she made the character of M a lasting symbol of reason and justice. Her forthrightness in Judi-Denchsupporting her top assassin even at the face of her worst rival, her ironclad judgement where she orders to even shoot him for the
greater good of saving many made her one of the most awe inspiring characters that cinema ever gifted to the world!

Starting her term as M in Goldeneye (1995) along side Pierce Brosnan, Judi Dench owned the role to such extend that it gave a new dimension to the character of M and in turn helped Brosnan in sharing the load of expectations that came naturally with the role of the most suave secret agent ever to have graced over the silver screen.

Bond movies reaped the benefits of her charisma and methodical acting and it was a fitting tribute and recognition to Judi Dench’s talent and contribution that her character was the only one which survived the reboot when MGM gave us the most manly bond in Daniel Craig.

Judi-DenchDaniel Craig’s portrayal of Bond showed his vulnerable side of being a human who is steadfast and arrogant to the point of self destruction with her playing the perfect foil to her brash assassin guiding him when needed, reprimanding him when required and unleashing him when cornered.

Judi Dench brought her own style and perspective into the character of M that bond series would never be the same again. Perhaps it was fitting tribute to her achievements that her swan song as M was destined to be played out under the respectable eyes of some of the thespians of world cinema – Ralph Fiennes and Javier Bardem!

And when she finally walked away, she did so with her head held high having given the world a mere glimpse of the multitude of her talent and her name shall ever be etched in the lores of the cinema as GREATEST BOND WOMAN OF ALL TIME!

Poster courtesy: www.imdb.com

Loveless – BEST OF 19TH MUMBAI FILM FESTIVAL 2017!

Loveless (2017)

written by Souranath Banerjee

Loveless Review: Cold and toxic, a disintegration of marriage metaphorically portraying an entire nation’s predicament!  

My Ratings: 4.4/5

A bitter divorce is never an easy experience for any couple but certainly the real victims are always the children. The most traumatic realisation a child has to cope with is that neither his parents wants custody of him, that he is just an unwanted baggage, a burden, that he is a mere glitch in their ugly adult world.

And that is exactly what happens to 12-year-old young Alyosha (Matvey Novikov), the terrible hard-hitting feeling of being loveless.

On one side Alyosha’s father (Aleksey Rozin) is having an affair with a younger woman who is pregnant with his child and on the other hand his harsh-speaking mother (Maryana Spivak) is passionately in love with a wealthy older man. On the verge of a nasty divorce the parents indulge themselves into a spate of brutal outbursts completely oblivious of the child who eventually decides to vanish from their lives for good.

Where is he gone? Has something happened to him? A kid cannot just disappear like that?

lovelessBut then writer/director Andrey Zvyagintsev (of Leviathan fame) along with writer Oleg Negin uses this tragic event to serve a bigger purpose, to narrate and critique the conditions in contemporary Russia, a country where everyone is desperately looking for – a lost loveless kid or may be it is simply Love that they are searching for?

Here we are talking about one nation (though I personally think it is a worldwide problem) where Happiness has become a piece of merchandise that can be negotiated and bought at a price while the value of Family-stability been reduced to a sign of status symbol. Where emotions and duty take the second seat while greed, ego and lust for a better-life gets the priority.

Absolute brilliance in the acting department – especially Maryana Spivak and Aleksey Rozin really make you hate and even sympathise lovelesswith them to a certain extent. The secondary characters Natalya PotapovaMarina Vasileva and Anna Gulyarenko also have such strong impact on the story and the audience.

But the best part is Mikhail Krichman‘s unique cinematography, the long takes and the subtle tracking of the camera brilliantly adds to the sentiments of the characters and the overall feel of the movie.

The music by Evgueni Galperine and Sacha Galperine is spot on and cleverly used only when it is actually required.

Official submission from Russia in the ‘Best Foreign Language Film‘ category at the 2018 Oscars. This is undoubtedly one of the best cinema of last year; very rarely does one film achieves a feat of representing a country and the psychology of its inhabitance with such savage precision and success.

Go watch it!

Similar interest: Leviathan Review

Similar Interest: Best Russian Classic Comedy Films

Poster courtesy: www.imdb.com