The Salesman review
written by Souranath Banerjee
A Cinema that tends to alter the definition of ‘Justice’!
My Ratings: 4.3/5
Is Cinema only a medium for entertainment? As a filmmaker how much social responsibility one is ready to accept? How successful is a film in depicting a certain time, an era, a place and its people and their circumstances? How close is it to reality?
Surprisingly enough a few filmmakers still reflects on these aspects of Cinema and takes upon the burden to create something that represents a particular culture and also the people bound by it.
Asghar Farhadi is one such filmmaker, who in his films not only portrays his country Iran in the true light but also delves in such depths of human psychology that the characters in his films become alive and their problems unique yet genuine and tangible for the whole world!
After making a brilliant film like A Separation (for which he won an Oscar) it’s difficult to create something at per or even better, but Asghar Farhadi has accomplished that impossible! The acclaimed Iranian writer/director who has given such amazing movies like About Elly, Fireworks Wednesday and The Past is ready to woo us with his latest – The Salesman; original title – Forushande.
A simple plot to start with – soon after the couple Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) gets shifted to a new neighbourhood Rana gets assaulted by a mysterious stranger. She doesn’t have enough courage to go to the police, and neither does her husband. But Emad being a man with his ego and pride wants justice and desperately looks for the stranger responsible for turning their lives upside down. And finally … ok, you better now watch the movie!
But by the end of the film I am sure you will question the real meaning of ‘Justice being served’.
Arthur Miller’s ‘Death of a Salesman’ is being intelligently used as a backdrop of The Salesman, a unique way to create a layer of additional drama on the current plot.
Even there is reference of another famous play – ‘Cow’ by Gholam Hossein Saedi. “How does a man become a cow?” – “gradually”. This dialogues have a profound inner meaning on the characters in the film.
Even the status and obligations of women in Iran is being interpreted in such subtle yet profound manners throughout the film.
An exceptional team effort where every department of filmmaking comes together and creates something magical. Winner of ‘best actor’ and ‘best screenplay’ award at Cannes 2016 and according to me the ‘best actress’ award was also very much deserving.
In a way a satire that too on a very serious note on the current Iranian social structure, The Salesman is an Iranian Cinema that will soon be termed as a classic. Watch it!
Poster courtesy: www.imdb.com.