Farooq was labelled as an actor who never had any commercial viability. But he had no regrets accepting this tag. In an interview, he had even accepted his failure at being ‘not so famous’, and still be proud of what he was. He had told, “I have never been commercially viable: People recognise me, smile and wave at me — but I have never received marriage proposals written in blood. In his heydeys, when Rajesh Khanna drove down a street, the traffic stopped — I don’t mind not receiving this kind of adulation. But I do miss not having been able to command the kind of work I wanted. I miss not being 100 per cent commercially viable.”
He was a gem in the art film corridors of our industry. Yet, he was different in the way other actors of the same genre went about themselves. Farooq didn’t do an ‘ArdhSatya’ or an ‘Albert Pinto Ko Gussa Kyo Aata hai’, yet he was present with his own finesse and style in films like ‘Chashme Buddoor, Kissi Se Na Kehna’.
Those who adore Farooq, are normally the ones who have seen ‘Chashme Badoor’. His absence from the film scene in the 90s almost made him forgotten for once and all. Television and theatre had then kept Farooq going. His, first love, was theatre. IPTA came as a breath of fresh air in his life after his short stint as a lawyer began to frustrate him. His acting prowess was seen at IPTA and then came the big break with M.S. Sathyu’s Garam Hawa for which he did not take a single penny.
Ironically, ‘Garam Hawa’ proved to be the cool breeze every young actor needs at the start of his or career. What followed was something that even Farooq had not expected of himself. Satyajit Ray offered him to play Aqeel in ‘Shatranj Ke Khiladi’. This was not one of the best Satyajit Ray had filmed, as per the critics but this film definitely fulfilled Farooq’s dream to work with the legend Satyajit Ray himself.
Farooq was a brave actor back then; he would choose movies no other actor would dare to say yes to. A case in point is ‘Umrao Jaan’. This film was all about Rekha and in those times when male-dominated films existed, I am sure it was a tough call as a male actor to do Nawab Sultan. Even the poster of the film had Rekha all over it.
With ‘Noorie’, he announced that he could deliver single-handedly. ‘Noorie’ went on to become the seventh highest-grossing film that year. For someone like Farooq, this would be a straight jacket entry into mainstream cinema as ‘Noorie’ was a Yash Chopra film. But he never let anyone categorised him. He did whatever came his way and this is why we see such diversified roles done by him in such a short period of time. If in ‘Katha’, he was the ‘Hare’ who liked chatting a lot and boasting about himself to woo people then in ‘Sath-Sath’, he played a stern man who could not sacrifice his principles. Then, in Bazaar, he was entirely in a different story. This versatility in him created an image for himself in the industry. Farooq Sheikh could do a ‘Siddharth’ in Chasme Buddoor with the same ease he did ‘Basu’ in Katha. All these films became classics with time. and Farooq had a major role to play in making them one.
But despite these great performances, what he got were just appreciations in the form of good reviews and the tag of ‘good actor’. It was, finally, in the year 2010 that we saw him getting the National award for the best actor in a supporting role for ‘Lahore’ – a film that won several accolades around the globe. This recognition came much later to Farooq who deserved more than what he got. But as he was Farooq Sheikh, these things – awards and recognition- never mattered to him.
I have written how he wasn’t an ambitious man. It was for this reason that he did even the smaller roles with the same excitement and vigour. Despite him being lost from the film scene in the 90s, he had no ego whatsoever to do serials like ‘Chamatkaar’ and ‘Ji Mantri Ji’.
And who can forget ‘Jeena Isi Ka Naam Hai’, one of the best show Indian Television has produced and undoubtedly, the main reason for the show to get engraved in our memories was Farooq Sheikh. He wasn’t very glamorous and fizzy in the way he anchored. He was simple, genuine, calm in the way he handled the guests at his show. In two simple words, he was just Farooq Sheikh. Clad in Kurta and Pyjama, a dress he wore the most in his last 15 years of life, Farooq made sure there was no boredom in the show.
It is not correct to say that he wasn’t an aware star. Those who knew him on- screen, they loved him. And those who know him off-screen, they adored him for being a person that he was. Deepti Naval remembers him as a man who was part of her career. She acted with him in as many as nine films. For her, he was a constant part of her professional as well as personal lives.
After his funeral procession was over, teary-eyed Shabana Azmi came out and said, “There will be no ‘Tumhari Amrita’ Without Farooq. The curtains have fallen.” ‘Tumhari Amrita’ was one play which both of these greats had been performing for the last twenty years till 2013. In early December of 2013, Shabana and Farooq had performed the play in Agra and after the completion of play, Shabana had told him, “Let it be our last play, Farooq. I believe this should be the end of ‘Tumhari Amrita’ to which he resisted, “Why! I think we should do this role for another 20 years to come!” After two weeks or so, Farooq Sheikh left the world leaving everyone shocked.
Written By: Shubham Pandey
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