Tag Archives: JIO MAMI 17th Mumbai Film Festival

Anomalisa (2015)

Anomalisa review.

written by Souranath Banerjee

Charlie Kaufman’s first stop-motion animation feature; a highly entertaining melancholic tale of an apparently mundane life!  

My Ratings: 4.4/5

Charlie Kaufman is probably the best creatively complex mind in Hollywood who is responsible for some of the most innovative concepts/scripts for films like Eternal Sunshine of the Spotless MindAdaptation. and Being John Malkovich.

anomalisa-poster1And this time, along with talented animation director Duke JohnsonCharlie Kaufman writes and directs a brilliant ‘stop-motion animation’ film called Anomalisa.    

A multilayered film that dares to interpret life.

Sometimes life becomes dull, monotonous, repetitive and one gets bored of everything and everyone. That is exactly what has happened to Michael Stone, an authoritative mentor on ‘customer service’ by profession and is depressed in his life to the core.

Michael (voice by David Thewlis) arrives in Cincinnati, a place supposedly famous for its ‘zoo’ and ‘chili’ and eventually checks in at The Fregoli Hotel. 

And interestingly enough in reality (i am sure that this is not a coincidence), there is this rare medical disorder known as the Fregoli delusion,  a case where the delusional person beliefs that all the people he meets are actually one single person who changes appearance or may be is in disguise!

For Michael, the voice of every person he meets (male or female) sounds the same (voice by Tom Noonan), which is a subtle yet disturbing hint of Michael’s state of mind.

anomalisa-poster3But then, he meets Lisa (voice by Jennifer Jason Leigh), finally a girl with a different voice; and also a hope for Michael to escape from his colorless life. Well, at least a thought to hold onto.

Not only the script and direction are top class but Anomalisa also sets new standards for the unique technique of stop motion animation films. Incredibly realistic animation gives the film a level of seriousness that is essential for it’s concept.

Produced through crowd funding, the film is a dreamy, poetic, some what surrealistic story, simple yet dealing with exceedingly complex emotions.

One of the best films of this year, and also was one of the most sought after films of JIO MAMI 17th Mumbai Film Festival.

Remember, Anomalisa shouldn’t be missed at any cost.

Poster courtesy: www.filmaffinity.com, www.impawards.com

Jafar Panahi’s Taxi (2015)

Jafar Panahi’s Taxi review.

written by Souranath Banerjee

‘Nothing can prevent me from making films since when being pushed to the ultimate corners I connect with my inner-self and, in such private spaces, despite all limitations, the necessity to create becomes even more of an urge.’ – Jafar Panahi.

My Ratings: 4.3/5.

Jafar Panahi is an Iranian filmmaker of great calibre, one of the pioneers of the Iranian New Wave, who made acclaimed films like The White Balloon (1995), The Mirror (1997), The Circle (2000) and Offside (2006).

But in his own country, his films were seen as propaganda against the Iranian government and on March 2010, Jafar Panahi along with his wife, daughter, and 15 friends were arrested!

Jafar-Panahi's-Taxi-poster420-year ban was put on him preventing him from directing any movies, writing screenplays or even giving interviews with Iranian or foreign media. He is not even allowed to leave the country except for medical treatment or making the Hajj pilgrimage.

But the voice of a true film maker can never be silenced and thus Jafar Panahi can never be stopped from making his films.

Since his ban in 2010, Jafar Panahi has already made three brilliant films This Is Not a Film (2011), Closed Curtain (2013) and his latest Jafar Panahi’s Taxi (2015). All these films were eventually smuggled out of Iran (one of them was smuggled on a flash drive put inside a baked cake) and screened in numerous prestigious film festivals. 

Jafar-Panahi's-Taxi-posterTaxi Tehran aka Jafar Panahi’s Taxi was recently a part of the JIO MAMI 17th Mumbai Film Festival, and was very well received – it even won the Audience Choice award.

The whole film was made from inside a car, yes, the camera never goes out of the Taxi!

The concept is simple enough, director Jafar Panahi himself posing as a taxi driver goes around the streets of Iran and record his interactions with other people who hires/rides his taxi. The style is that of a documentary and these funny yet crucial conversations make the content of the film.

A well rehearsed and cleverly scripted film, brilliantly acted by everyone including the director – incredibly natural performances!

Jafar Panahi’s Taxi is very entertaining film but that’s not where it stops.

Jafar-Panahi's-Taxi-poster1The film is also a socio-political statement on the modern day Iran, a country that is still clouded with superstition and poverty, where capital punishment still exists for crimes like petty theft and women are jailed for trying to attend men’s volleyball match!

The film is a silent scream against Iran’s harsh, non-democratic government policies; for example: in the entertainment sector who or what exactly defines publishable or screenable cinema?

Through the often hilarious and seemingly lighthearted film, Jafar Panahi asks many such invaluable questions to the world knowing very well that the answers are buried deep in his own country.

He smiles, sympathies, often shows discomfort and in his own leisurely way, he guides us through a few hours of a very cleverly mapped taxi route.

Jafar Panahi’s Taxi is also the director’s personal protest, a loud yet peaceful way of defying injustice, of breaking away the shackles; it’s a celebration of freedom through cinema.

Jafar Panahi may not be the best cabbie but this is one taxi ride that is highly recommended for all film lovers.

Poster courtesy: filmmakermagazine.comhttp://www.cinenews.be

The Lobster (2015)

The Lobster review.

written by Souranath Banerjee

It’s dangerous when you are entertained by such an extremely twisted and dark comedy, sick and revengeful at times – but again you cannot help but chuckle and giggle helplessly through out the film! 

My Ratings: 4.4/5.

Many filmmakers, over the years have attempted to make futuristic dystopian films (most of them have been zippy action based adventures), but with The Lobster, the Greek director Yorgos Lanthimos (of Dogtooth fame) has achieved something unique in that genre.

And that too with mostly fine-tuning the exclusive comic timings in some of the most absurdly realistic situations!

lobster-poster1The basic premise of the film is simple yet weird – imagine a dystopian world where all the single people are sent to this hotel where within a limited number of days they are expected to choose their partner, or else they’ll be transformed into an animal of their choice.

And when David (Colin Farrell), arrives at this peculiar hotel, he declares that his choice of animal (if he fails to find a partner) would be The Lobster!

David soon befriends with a few other guests John C. Reilly (the Lisping man) and Ben Whishaw (the Limping man), and he also desperately tries to fix a match with an emotionally disturbed woman Angeliki Papoulia (the Heartless Woman). 

lobster-poster2But then, David meets Léa Seydoux (the Loner Leader) and Rachel Weisz (the short sighted woman) and his life changes forever.

Brilliant acting by each and every one, specially by Colin Farrell, probably his career best performance.

But the best thing about the film is it’s brilliant concept and the powerful script (written by Yorgos Lanthimos and Efthymis Filippou)

Real human characters/emotions put in a surreal situation, an ideal way to question our human behaviors in context with the current social and political scenario. For example, how any society tends to fight against those who doesn’t fit-in or doesn’t respect the rules in general, and then these so-called misfits and rule breakers form their own society where they make their own rules and then again, a few have a problem to fit in there!

Fortunately The Lobster was part of JIO MAMI 17th Mumbai Film Festival and it was among my list of films that shouldn’t be missed.

A brilliant black comedy, a take on ‘love’ and ‘life’ in the most quirky and entertaining way possible. The film has already won the ‘Jury Prize’ at the Cannes Film Festival and is now nominated for the prestigious Palme d’Or.

Best of luck!

Poster courtesy: www.impawards.com.

Haraamkhor (2015)

Haraamkhor review.

written by Souranath Banerjee

My Ratings: 4/5.

Haraamkhor recently won the Silver Gateway Award at the JIO MAMI 17th Mumbai Film Festival and according to it’s producer Guneet Monga of Sikhya Entertainment, the film is all set to release in the theaters very soon.

It is a rural tale of a teacher-student liaison.

Till now Bollywood has always played the safe game while portraying the ‘sacred’ emotions of a teacher-student relationship; such relations have always been handled delicately, from a safe distance and that too often dipped in deliberately dramatized dignity.

Haraamkhor-poster1But in the film Haraamkhor, the only emotions that are taken into consideration are unprocessed and raw, intense, realistic, and devoid of any kind of sugar-coating for sure.

Set in a small town of Gujarat, a school teacher named Shyam (Nawazuddin Siddiqui) is said to be having an affair with one of his student Sandhya (Shweta Tripathi).

At the initial stage though, it all seems to be just a rumor, a small-town gossip but as the film reveals itself along with it’s characters, it soon becomes pretty evident that Shyam and Sandhya’s relation is way beyond the usually expected tutor-pupil correlation. It’s a strange mix of lust and passion, of naive innocence and also a bit of love.

And then, Sandhya being underage (15-year-old) and Shyam being a 35-year-old married man makes their relationship more of a taboo!

The premise is simple but the execution is savagely precise and gritty and very entertaining as well.

Now of course, Nawazuddin Siddiqui is the selling point of the film as undoubtedly he is the most gifted actor of our recent times. And yes, he has done a tremendous job with his character in Haraamkhor; the cunning, libidinous, occasionally violent school teacher who at the same time is desperate to maintain his reputation!

But this film is not a one man show.

Haraamkhor-posterThe stage is been shared by another very talented actor Shweta Tripathi, who already appeared earlier in a soulful film called Masaan, and yet again in this film has proved herself to be one of the best upcoming talents of our industry.

Along with the two child actors who added enough humor to the script, Trimala Adhikari‘s performance is also much creditable as Sunita, the wife of the flirtatious school-teacher Shyam.  

Written and directed by debutant Shlok Sharma, the film is an unique combination of serious adult drama and numerous fun-filled moments. An awesome debut film!

Though the ending is not the part to be particularly proud of but overall the film is based on a taut script, beautifully portrayed emotions, attention given to every little details in preparing the characters and superb acting.  

If you prefer realistic films and aren’t shy of looking into an illicit relationship between a minor girl and a much older married man, this film is definitely worth a watch.

poster curtsey: www.clickmaza.comwww.ibnlive.com

JIO MAMI – DAY6 AND 7 (Nawazuddin’s Haraamkhor and much more)

JIO MAMI – DAY6 AND 7.

written by Souranath Banerjee

Every good thing in this world comes to an end and so did the JIO MAMI 17th Mumbai Film Festival.

Featuring 200 films from over 35 countries and this is what the last two days of the festival had in store for me.

 

Day 6 (4nd NOV)

The first film that was waiting for me on the sixth day of the festival was Haraamkhor (2015). A very interesting film to start the day.

haraamkhor1Directed by debutant Shlok Sharma, a film that though gives an impression of light comedy (specially looking at it’s poster) but then it’s not.

A few comic moments here and there, but essentially the film is based on the illicit relationship between a teacher and his student and it’s brutally realistic. 

Nawazuddin Siddiqui is as usual the heart of the film, his acting skills are currently the best in the Indian film industry and we all know it. But Shweta Tripathi is one actress to look forward to. She is brilliant in the film and has all the potential of becoming a great actress.

 

And then there was this animated gem of a beautiful film called Belladonna of Sadness (1973).

Film trailer: https://www.youtube.com/watch?v=Cdp85x9d0A4

Belladon-posterA peasant woman who has a pact with the devil and challenges the social norms!

Directed by genius Eiichi Yamamoto, a master of visual art and animation.

A film that is considered to be as a classic and why not? Extraordinary visuals and spectacular color play, powerful erotic imagery and a very thin narrative structure.

A must watch for people who are more into visual arts and animation.

 

And then there was The Club (2015).

Film trailer: https://www.youtube.com/watch?v=Wqv8PPDfiyw

club-posterDirected by Pablo Larraín, this is both an innovative and a disturbing film.

In a Chilean beach town, the disgraced priests and nuns (suspected of crimes in their past) are sent to stay in a house. And then one day a crisis counselor comes in and everything changes!

Beautiful images and great acting, a terrific story that is too real and hard hitting at times. Something that lasts an impact on you.

 

And the day ended with a superb film called Mia Madre (2015) aka My Mother.

Film trailer: https://www.youtube.com/watch?v=jWiFif96t3Y

mia-madre-posterDirected by Nanni Moratti, this one is a film so sensitive and emotional that it makes you miss your own mother/parents.

A film director whose mother in in the hospital, and in-between her busy schedule she visits her and try to comfort her.

Brilliant performances by Margherita BuyNanni MorettiGiulia Lazzaroni and some well deserved comic reliefs by John Turturro – a film that that is complete in it’s own unique way.

 

Day 7 (5nd NOV)

On the last day i watched the only 3D animated film in the festival, Monster Hunt (2015).

Film trailer: https://www.youtube.com/watch?v=yR6JRIlf1jM

monster-hunt-posterThe monster’s world and the human’s world collide and two humans become responsible to protect a baby monster (the future monster king).

The film boasts of awesome animation and superb use of VFX.

Directed by Raman Hui, this Chinese animated film reminded me of my all time favorite film Who Framed Roger Rabbit (1988).

A bit kiddish of course but a good watch.

 

And then, there was this soulful film Ottal (2014) aka Trap.

Ottal-posterDirected by Jayaraj, this one is about a poor, young boy whose grandfather wants him to study and become somebody respectable.

But instead of going to a school, the boy ends up as a child worker in a distant town away from the love and protection of his grandfather.

The film is the voice of thousands of such children who are illegally being forced to work under inhuman conditions.

 

Well, this ends the spectacular journey of films and also the JIO MAMI 17th Mumbai Film Festival. I was glad to be a part of it and will eagerly wait for it the next year.

Thank you.

Poster courtesy: www.impawards.comwww.ibnlive.comisammakesstuff.tumblr.comwww.cinenews.be.