Tag Archives: Madhavan

Mard Ko Dard Nahin Hota (2018)

written by Souranath Banerjee

Mard Ko Dard Nahin Hota Review: After ages I watched a typical Bollywood action masala film and enjoyed it to the bone. Ouch!

My ratings: 4/5

If a film keeps you smiling even after you have left the theatre, it has definitely done a job well!

Vasan Bala (writer of Raman Raghav 2.0) directs his second feature – and we have the best action comedy of recent times! An ode to the VHS era, Bruce Lee martial art flicks and also to the old Bollywood spells like Geraftaar (1985) and Aaj Ka Goonda Raj (1992)!

Separated childhood lovers finding themselves in adulthood, a set of good/evil twin brothers, a VHS inspired Karate kid who can beat 20 goons singlehandedly, a charming yet psychotic villain who kills in a wink – clichés lining up one after another. But the beauty of Mard Ko Dard Nahin Hota is that it takes advantage of all these clichés, owns them proudly and churns them into pure cinematic humour.

Now what is fresh in this movie is the concept of ‘Congenital Insensitivity to pain’, Abhimanyu Dasani (his debut film), a brilliantly choreographed action sequence with Kishore Kumar’s evergreen song ‘Nakhrewali’ playing in the background and then of course the overall amazing performances!

Abhimanyu Dasani (son of Bollywood actress Bhageshree) stands out clearly as a winner in his debut film. Superb screen presence, he looks like a younger version of Madhavan plus the extreme level of fitness. Then there is the immensely talented Radhika Madan (earlier seen in Vishal Bhardwaj‘s Pataakha) and she is an absolute delight to watch. Mahesh Manjrekar and Jimit Trivedi are at their best perfectly blending into the roles and giving the film the additional support it needed. Even Shweta Basu Prasad made her presence felt in her cameo.

And then of course we have Gulshan Devaiah in his effortlessly charming double roles – he is so natural, funny and full of charisma. His best performance till date.

Mard Ko Dard Nahin Hota is essentially a love story but told in style and a rare confidence that we search for but seldom find in our current day movies.

Paap ko jala ke raakh kar doonga” (Will burn all evil/sins to ashes) is the idea in prominence throughout the movie but it gets specially silly and enjoyable when told from a kid’s perspective.

Though the voiceovers repeatedly reminds us “Har mindblowing kahani ke peeche kuch bahut bure decisions hote hain” (There are always some bad decisions behind every mind-blowing story), but trust me, your decision to watch this awesome movie will definitely be a good one!

Go watch it.

Film Trailer: https://www.youtube.com/watch?v=jb0-Mw_V_bA

Poster courtesy:www.imdb.com.

The power of Rang De Basanti – a generation awakens.

The power of Rang De Basanti – a generation awakens.

written by Souranath Banerjee

‘Zindegi jeene ke doi tarikke hote hai, ek jo ho raha hai hone do, bardash karte jao. Ya phir zimmedari uthao usse badalneki’. 

If translated – ‘There are just two ways to live life. First, let whatever is happening to continue, keep enduing it. OR else take responsibility to change it.’

rang-de-basanti-poster2Similarly, there are two ways to make films too. First, to accept the general trend as they exist and make a similar one. Or to take upon the responsibility and create something unique!

Rang De Basanti (RDB) released in 2006 – story by Kamlesh Pandey and directed by Rakeysh Omprakash Mehra is one such special film that made Indian Cinema proud.

Starring Aamir KhanSiddharthKunal KapoorSharman JoshiSoha Ali KhanAtul KulkarniAlice Patten and Madhavan (guest appearance); and then the talented supporting cast Waheeda RehmanAnupam KherKiron Kher and Om Puri.

Music by legendary A.R. Rahman who took three years to compose for this one particular film. 

rang-de-basanti-poster4With such impressive star cast and epic musical score, of course RDB was a huge box-office success. The film also won the National award for the most Popular Indian Cinema along with numerous other awards (Filmfare, IIFA, ZeeCine etc).

And on top of that, it was also send as India’s official entry for the Golden Globe Awards and the Academy Awards in the Best Foreign Language Film category.

But apart from being just a blockbuster, award-winning, popular film, RDB also managed to do something very rare which hardly any Indian cinema have ever accomplished before – it communicated with the audience, specially with the youth of our country!

Rang De Basanti is probably the only Indian film that initiated such significant level of political awareness, sense of patriotism and social awakening in the minds of our younger generation.

rang-de-basanti-poster5After the release of RDB, young minds of our country (mostly students) who earlier were never bothered about politics or any such civic causes became socially responsible and took active interest in discussions regarding national problems like corruption, bureaucracy and political injustice.

Soon full fledged youth activism started – not only through the internet blogs but the students actually took to the streets to protest on public interest issues.

A perfect example is the Jessica Lall Murder Case, where people protested against the initial court judgement by a silent rally – a candlelight vigil at New Delhi’s India Gate exactly the same way as shown in RDB!

rang-de-basanti-poster3Thankfully though our younger generation was clever and responsible enough not to murder some politician while emotionally aping the film till the end.

But importantly, the message which they took home from the film was that of ‘No country is perfect, it has to be made perfect.’

And the brilliance of the script and the filmmaker is that this message wasn’t delivered in a preachy manner. It was cleverly communicated by a bunch of laid back fun-loving college guys who initially didn’t care much about their future; who were only interested in drinking beer and racing bikes, watching films and eating out (just like any other college kid).

rang-de-basanti-poster7The young crowd of India could very easily connect themselves to these naive and vibrant characters of the film. They spoke a language that the youngsters understood and could relate to.

But then, when due to some tragic events these characters in the film were shaken from their easy-going lives and when they felt a soul stirring sense of responsibility towards their country – the young Indian audience felt the same and experienced the same prick of conscience.

rang-de-basanti-poster1‘A generation awakens’ was the tag line of the film and from the film’s posters to it’s media partners (CocaCola, LG, msn, Airtel, Provogue) – everything related to the film and it’s promotion were focused on that tag line itself.

Such was the power of Rang De Basanti that after watching the film former Prime Minister of India, Atal Behari Vajpayee, used the line ‘Aag hai mujhmen kahi’ (There is a fire somewhere within me) which is a popular lyric from one of the film’s song.

Almost 10 years have passed by since it was released and still Rang De Basanti remains one of the most influential films in the history of Indian Cinema.

Tanu Weds Manu Returns (2015)

Tanu Weds Manu Returns review.

My Ratings: 3.8/5. (i hope i don’t have to change my ratings in the future).

Whenever a sequel comes up of some successful RomCom, invariably it proves to be unworthy of it’s preceder. But Tanu Weds Manu Returns is probably the exception that proves this rule!

Tanu Weds Manu Returns may be not as subtle or emotional as Tanu Weds Manu (2011) but when it comes to pure entertainment it’s spot on target. 

tanu-weds-manu-returns-poster3And this time it’s an all and all show for Kangana Ranaut. With a double role (playing the sexy Tanu and the tomboyish Datto) Kangana Ranaut yet again shows that she is currently THE best actress in Bollywood. Extraordinary performance – her body language, her accent and the matured way she handles two completely different characters is highly creditable. 

Madhavan (Manu), though eclipsed by Kangana’s brilliance still holds the ground as an actor and plays an important part in balancing out the overall madness. 

Jimmy Shergill (marriage isn’t everybody’s game after all), Eijaz Khan (the Sardar in Dandiya custume), Swara Bhaskar (the best friend with a secret), Mohammed Zeeshan Ayyub (the lawyer lover-boy) and Rajesh Sharma (the savior Uncle) – all perfectly fits into their characters.

But Deepak Dobriyal needs a special mention. His over-enthusiastic and hilarious performance adds an unique comic flavor to the film. 

tanu-weds-manu-returns-poster1Decent cinematography by Chirantan Das and the credit for the music goes to Krsna Solo and Rdb; specially the chartbuster song ‘Banno tera Swagger’ is definitely a dance number.

Even the beautiful song ‘Ja Ja Ja Ja Bewafa’ sung by Geeta Dutt in 1954 in the film Aar Paar is played in the background – nicely used for emotional effect.

Directed by Aanand Rai and written by Himanshu Sharma Tanu Weds Manu Returns guarantees a smile on the audiences face as they leave the theaters. And believe me that’s a huge achievement. 

Cheeky dialogues, hilarious situations, peppy songs and brilliant acting; no wonder Tanu Weds Manu Returns is this year’s most successful Bollywood film till date.