Tag Archives: Michael Madsen

The Hateful Eight (2015)

The Hateful Eight review

written by Souranath Banerjee

A western in Tarantino style – enough said already!

My Ratings: 4/5.

The Wyoming winter at its peak, surrounded by knee-deep snow and tormented by blinding blizzards, literally at the middle of hateful-eight-posternowhere there is a place called Minnie’s Haberdashery!

And that is where a bounty hunter and his prisoner (among others) goes to take refuge from the treacherous weather, but little did they know that the dramatic events of that single day will change their lives forever.

Narrated by Quentin Tarantino the director himself, the film The Hateful Eight (also Tarantino’s eighth film, hence the name) is a story that revolves around the core dilemma of whom to trust and whom to kill?

The bounty hunters Samuel L. Jackson and Kurt Russell, the prisoner hateful-eight-poster2Jennifer Jason Leigh and then the rest of the dubious characters Walton GogginsTim RothMichael MadsenDemián BichirBruce Dern and James Parks all under the same roof and under the same cloud of disbelief and conspiracy.

Acting level is again top class, the brutality and the raw ferocity of the characters is what drives this film till the end.

Shot entirely in the Ultra Panavision 70 process, in an aspect ratio of 2.76:1, using the very same 65mm film that shot the chariot race in Ben-Hur (1959), The Hateful Eight is undoubtedly a cinematic triumph and cinematographer Robert Richardson certainly made sure of it.

hateful-eight-poster3Original soundtrack, written and composed by Ennio Morricone, now that’s a first!

If you adore the so called ‘Tarantino way of film making‘ – extreme violence with contrast background scores, the blood-thirsty diabolical characters with their own backstories, cheesy yet stylized dialogues and innumerable graphic deaths at regular intervals – then there is hardly any chance that his eighth film will disappoint you!

Then again, just to make sure, why don’t you take a look at it yourself? And if you look closely enough Channing Tatum will reveal himself, I promise!

Poster courtesy: www.impawards.com

Quentin Tarantino – the brilliant use of music in his films

Quentin Tarantino – the brilliant use of music in his films

written by Souranath Banerjee

Quentin Tarantino – the brilliant use of music in his films: One of the most popular American director of our times, Quentin Tarantino is a name that needs no introduction.

His films are a confluence of wacky dialogues, stylish yet graphic violence (often in slow motion), non-linear storytelling and unforgettable music!

tarantino-posterHardly any director in the world has Tarantino’s gift of choosing the perfect soundtrack that would sync and enhance the visuals of a particular scene to another level of  awesomeness.

‘I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection. So what I do, as I’m writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.’
 

For instance, in his first film Reservoir Dogs (1992) there is this famous torture sequence popularly known as ‘the ear scene’ where Michael Madsen playing a psychopath groves to the happy tune of ‘Stuck in the Middle With You’ by Stealers Wheel while torturing the tied up police officer Kirk Baltz.

Well, let’s just say … Tarantino has an ear for good music.

And then, in Pulp Fiction (1994), before John Travolta takes a ride high on drugs, the whole heroine-trip sequence shot beautifully in extreme close-ups is perfectly synced with the soundtrack ‘Bullwinkle Part II’ by The Centurians.    

‘To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.’

The perfect example, in his film Jackie Brown (1997) the title sequence where the camera follows Pam Grier traveling through the airport while Bobby Womack’s jazzy tune ‘Across 110th Street’ plays in the background – the effect is simply awesome. 

Tarantino often uses music to play with his audience’s psychology.

In Kill Bill: Vol. 1 (2003) the famous whistling tune ‘Twisted Nerve’ originally composed by legendary Bernard Herrmann, prepares the audience with the anticipation of danger as a deadly killer, codename California Mountain Snake (played by Daryl Hannah) is the one who whistles it before a hit.

And finally, a girl (Mélanie Laurent) prepares for revenge; a deadly plan to blast a theater full of Nazis and the epic soundtrack ‘Cat People (Putting Out Fire)‘ by David Bowie is brilliantly played in the background in Inglourious Basterds (2009). 

By the way, the latest Tarantino Movie The Hateful Eight is awesome but then I really missed that one special soundtrack that redefines his movie, the signature of the acclaimed director. Do you agree?

Photo curtsey: www.telegraph.co.ukwww.miramax.com.