Dil Chahta Hai – the film that redefined friendship.
written by Souranath Banerjee
Bollywood since it’s early days, has always been an expert in portraying ‘romanticism’ on celluloid, the classic ‘love story’, a specialty that has been experimented and mastered through years of relentless practice.
But then, when it comes to ‘friendship’ being the primary focus of a film, they would first try to convince you with either ‘love-triangles’ 
or ‘brothers-separated-in-their-childhood-but-later-united-to-avenge’ kinda concepts!
If not, then you will have to choose from films like Chashme Buddoor (1981), Jaane Bhi Do Yaaro (1983) or Andaz Apna Apna (1994) which somehow aren’t primarily made to celebrate ‘friendship’.
Well, that was the situation before 2001.
In the year 2001, a film Dil Chahta Hai was made and it not only won the National Award for that year but also redefined the concept of friendship in Indian Cinema forever.
Super-talented writer/director Farhan Akhtar‘s first film, who later turned out to be a brilliant actor, producer and singer as well!
Film trailer for a quick recap.
The film Dil Chahta Hai, a comedy-drama, is based on three friends whose friendship is tested as they go through a period of transition in their lives. From the enjoyable, carefree college days to accepting responsibility and trying to deal with their jobs and relationships with their recently-earned maturity.
The film was so unique not only as a young and fresh concept, but also for it’s innovative overall treatment.
The leads characters – Akash (Aamir Khan), Sid (Akshaye Khanna) and Sameer (Saif Ali Khan); they as individuals and also their superb chemistry in-between themselves were undoubtedly the life of the film.
Three friends, a sudden plan, and a long drive to Goa; since Dil Chahta Hai, such road-trips have become a trend for the youth of India!
And then of course, their three love affairs – Shalini (Preity Zinta), Tara (Dimple Kapadia) and Pooja (Sonali Kulkarni), who creates enough drama in their lives but also in a way completes them.
A trend-setter in many ways, the film revived Saif Ali Khan and Akshay Khanna’s career, helped Dimple Kapadia to re-establish herself as a powerful actress, made composer trio Shankar-Ehsaan-Loy as famous as they should be, and most importantly opened the gates for innumerable friendship-oriented films to be made.
Jhankaar Beats (2003), Rang De Basanti (2006), Rock On!! (2008), 3 Idiots (2009), Zindagi Na Milegi Dobara (2011), Delhi Belly (2011), Kai po che! (2013) and even Go Goa Gone (2013) and Grand Masti (2013) and many other Bollywood films that kept on exploring (mostly exploiting) ‘friendship’ with the same ‘three friends bonding’ formula.
Dil Chahta Hai, when it released was a decent commercial success, specially among the urban younger generation (i believe the film’s primary target audience).
And the critics applauded its sensitivity too.
The film Dil Chahta Hai though coated with enough comedy, is actually a pretty matured film that sheds a very realistic perspective on growing up and being capable of respecting other’s sentiments.
But the best part of the film is neither the story, or the brilliant performances nor the complete set of catchy songs; it’s actually the little funny situations here and there and the perfectly timed dialogues to complement them!
‘Hum cake khane ke liye kahin bhi jaa sakte hai‘
‘Aaj Pooja, kal koi dooja‘
‘Ya toh dosti gehri hai … ya yeh photo 3D hai‘
‘Perfection ko improve karna mushkil hota hai‘
These and many more such hilarious dialogues are the first things 
that come to our mind when we think of Dil Chahta Hai, and they only make the film such fun to watch every single time.
If somebody, new to Bollywood, would ask me to recommend one single film that he/she needs to watch – I would definitely suggest Dil Chahta Hai. Bollywood at its best!
Poster courtesy: www.imdb.com, www.india-forums.com, www.filmycurry.com.
He was also a writer, actor, lyricist and a brilliant television talk-show host!
Now, if one cares to analyze the time when Rituparno Ghosh started his career (in the early 90s), evidently it was the time when Bengali Cinema was going through a tough phase.
Bengali industry was in need for someone to create a balance between the traditional arty films and the commercial ones and Rituparno Ghosh was THE director who had the courage and the capability to fill-up this vacuum! 
In the early phase of Rituparno’s film-making career his films mostly portrayed the middle-class Bengali families, their desires and despairs. This was probably his most successful phase as he skillfully intersected the typical average Bengali household and delicately revealed it’s secrets to us.
Then came the phase when he would make films not only in Bengali but also in English and Hindi and his star-cast would be mostly actors and actress from Bollywood. He has worked with 
He once said “It is for me to decide whether I will stand in the queue for men or for women or neither of the two.”
“His films, with their sensitive portrayal of human relationships, anguish, trauma and love in a fast-changing, post-liberalization India charmed audiences. His brilliant story-telling reflected contemporary society like never before. While his death creates a tremendous void that can never be filled, Rituparno’s work blazed a trail that has paved the way for an entire generation of filmmakers who have dared to be different. It was Rituparno who gave them the courage.”